Small, carved wooden totem pole with a concaved back. The pole is rectangular in shape with a slight taper through the middle and a large, wide figure at the top. The figures from top to bottom: eagle with its wings spread holding a killer whale in its talons; the body of the killer whale runs horizontally; small green frog sitting sideways with its head facing in opposite direction to the whale; black bear; human-like figure holding its hands to its face; green frog facing downwards; human-like head. The pole is painted red, green, yellow and black with northwest coast stylized designs.

Warrior dance knife, or baton in the form of Sisiutl. Central front-facing head with two upward and outward curling horn-like appendages at the top and a profile head on either side, each of which has another upward and backward curling horn-like appendage at the top. Each profile head has a red tongue that protrudes outward at a slight upward angle. Painted black, red, and green.

Model of a totem pole depicting an eagle with outstretched wings and a beaver(?). Painted in black, red, and yellow. Figures are secured to a round base with nails.

Undecorated basket with an overcast rim while the interior portion of the bark is to the outside.

Tan basket with simple coiled work (bifurcated stitches), parallel slat base construction, and zigzag loop work border on the upper rim. Overcast handle, which is fully beaded. Two horizontal rows of chevron designs alternating in red cherry bark/canary grass/black chery bark/canary grass. The two rows are staggered.

Large rectangular coiled basket (bifurcated stitches) with foot. Parallel slat base construction. Fully imbricated in cat-tail grass (?) with three rows of zigzags, in dark cherry bark, cat-tail grass (?) and red cherry bark, connecting to give a lattice of diamond shapes. The foot has three rows of beaded red cherry bark.

Large dance screen with black designs on natural coloured ground. The screen is made from four irregular shaped pieces sewn together. In the centre is a raven motif in profile with open beak, tongue visible, wings and legs spread. The tail appears unfinished. The motif is painted in black with a lighter, oily paint spread into the fabric beyond the black outlines.

Long staff with carved standing human figure joined (with wiggle nails) to the top. Six miniature coppers nailed to the staff, the uppermost nailed to the figure's chest. The lowest copper is a t-shaped scrap. A piece of abalone is glued to the front of the staff below the two central coppers, and the entire staff is painted red. The figure stands erect with his right arm outstretched, the other at his side. He wears brown-painted clothing and a red painted skull cap decorated with four pieces of abalone at front, back and sides. The face carving is highlighted with red and black paint and is heavily shellacked. Rubber cap on bottom.

Traditional shield-shaped copper with a T-shaped raised design element that divides the bottom section in half and separates the top section from the bottom. The piece has been broken and re-rivetted. A rectangular piece is missing from one bottom corner. A larger rectangular piece has been cut off and reattached at the other corner. The upper section has edges that flare outwards towards the top, and the top edge comes to a peak at the centre. The upper section is painted black with a grey border, with an animal face in grey, as well as natural copper. The base is painted black with bands of grey and natural copper running horizontally, and a criss-cross motif in natural copper.

A double hollow, bottle-shaped, brown wood horn that is circular in cross section with a neck tapering to a square, beak-like mouthpiece. Bound with white twine and green twine in two sections, the former being around near the smaller end while the latter being around near the wider end.