Brown wood whistle that is oval in cross section and bound in two places with brown twine near each end. While the wider end is solid, there is a hollow through the tapering end where there is a taper cut elongated semi-oval hole nearby on one side.

Brown wood whistle that is semi-oval in cross section and comes to a flatter tapering end and is bound in two places with brown string, one near each end. While the wider end is solid, there is a hollow through the tapering end where there is a taper cut semi-oval hole nearby on one side.

Brown wooden whistle that has a taper-cut semi-oval hole on one side, near the knob end, with a hide bellows bound to it at the other end. Bound with white string and a flat braided cord.

Rectangular mat with woven pattern. There are six bands through the weft strands. Each band has two strips of dark bark on a downward diagonal and a centre strip of dark natural bark on an upwards diagonal. Together the strips form a zigzag design. The border around the edges of the mat is formed by a double line of dark strips through the warp, crossing at the corners. The edges are finished by overcasting on a core of cedar bark. The mat is sewn together in the middle on the weft axis.

Coiled (with bifurcated stitches) cedar root basket with lid. Watch-spring base and lid construction, an overcast rim, and a flange on the lid. Decorated with imbricated designs, a series of small birds (stylized) in red/black and black/white.

Rectangular coiled cedar root berry basket with gently flaring sides and an attached lid. Sides decorated with four large vertical panels (one per side) of large red cherry bark and cat-tail grass bounded by tri-colour stripes; beading top and bottom. Lid has triple row of beading along circumference with isolated red cherry bark and dyed cat-tail stitches on top. Simple coiled work (bifurcated stitches along sides). Parallel slat base and lid construction (reinforced by plain stitches on end edges); base has flange. String handle.

Circular, disk-like piece of bone with a circular hole through the centre.

Carved wooden, crooked beak mask. The beak has long, exaggerated, protruding red nostrils with two large circular openings in the front. Running from the brow is a large, protruding, central black, rectangular shaped frill that projects outwards then curves downwards to the top of the beak. On the top edge of the head is a smaller, rounded, black frill that tapers into the top of the head. The mouth is red, flat and protruding. The underside of the beak is black; beak is hinged with a thin piece of metal wire. The eyes are small and outlined in black and red, surrounded by a large white, sunken, ovoid-like shape; the brow is black with red vertical stripes. Back of mask is slightly cylindrical in shape; around the top, side and bottom edges are twisted pieces of cedar. The inside of the mask is hollow with the exception of pieces of fibre twine to articulate the beak; bundles of small branches with cedar strips and a piece of eagle down. The mask is painted black, white and red with Northwest Coast stylized forms.

Spoon carved from one piece of dark brown mountain goat horn. The elongated, shallow bowl is carved with two parallel bands of small horizontal incised lines, each band with three peaks on the outside edge. The tapering handle is carved with two slightly abstracted figures with a whitish pigment (?) in the recessed grooves of the carving.

Small, cylindrical woven basket (a) with a fitted lid (b); lit has a raised knob in the centre. Plain twined weaving with skipped stitch weave at top. Three bands of purple alternating with natural vertical stripes placed out of phase with each other, resulting from plain twined weaving (two-strand) using one purple and one natural weft element.