Pair of gauntlet-style hide gloves with flaring cuffs that cover the forearm. Long fringe extends from outer edges of cuffs; small triangles protrude from outer edges of section that covers back of hand. Cuffs are entirely covered in beadwork panels. Central designs are of golden horses inside black horseshoes on light blue ground; horses have light grey manes and white spots on their foreheads. Golden triangles extend from edges of the light blue section; black beads fill rest of space on cuffs. Sleeves of gloves have straight and zigzag beaded lines; done in gold with black outlines. Interior of cuffs are lined with striped fabric; rest of gloves are unlined.

Frog brooch, that sits on a lily pad design glass base (part b). The cast gold frog (part a) has large circular eyes, and wide mouth and nose; the surface of the body is textured. Front legs are curved outward from front of body; back legs are partially bent. Back right leg is held close to body and back left is pushed out; all webbed feet are fully extended. Ridges carved in relief along back of frog. Body is hollow; brooch has a round hinge and safety catch clasp on back, extending diagonally from the frog's front right leg to back left leg. Inscription in underside of chin of frog. Base made of thick rectangular, light blue glass, with frosted top. Lily pad design carved into top right corner of holder, with ripples across entire surface; cut out for brooch in centre of lily pad.

Baby carrier, or cradle board, with beaded top and cover. Back piece is made of flat wood board, with a rounded top that narrows towards base; board covered in hide. Design on beaded top consists of a grouping of five flowers with stems and leaves; done in red, dark purple, dark blue, and green, with yellow and red highlights throughout. Motif done on a white background; area outlined with maroon triangles, trimmed in dark blue. Bottom half of the board has a hide pouch with laces and cotton-lined collar, into which a baby can be placed. Black cloth cover overtop pouch has a large beaded flower with leaves and stems; two smaller flowers extend from petals of central motif. Designs are done in white, dark blue, red, light blue, and green. Cloth cover outlined with white triangles. Back of board decorated with long pieces of fringe, towards top; hide strap, lined with mint green cloth, attached to back, towards centre of board.

Pencil drawing of an angled ovoid with U-shapes extending from the top right and bottom left. Ovoid has a central being design, consisting of formline design elements; done with solid shading, linear hatching, and cross-hatching. Top U-shape has a crouched human figure in it; figure is made up of formline design elements. Bottom U-shape has a fineline split, and horizontal oval design; done with solid shading, and linear hatching. Artist dedication, Dedication Piece To Thelma Cooke, title, and artist mark written in pencil along bottom edge of drawing. Paper is oval-shaped and has rough edges; attached to grey board.

Wooden, two symmetrical dish halves (parts a-b) in form of a killer whale and squid; carved and painted. The inside has a black painted sea serpent ? design on both sides. The two halves are held together by a metal latch; together the dish is conical in shape. The dish is painted in black, red, white and green.

Drawing reconstruction of a plank for a Tsimshian house-front screen in vertical orientation; done in pencil and maroon pencil crayon. Drawing is of left profile of a figure with a large head, circular body and tail; formline design elements throughout interior. Diagonal maroon band along top edge, above figure. Rectangle-like outline, with a ragged bottom edge, overtop drawing, imitating house plank drawing is based off of. Description and artist signature written along bottom edge of drawing.

Drawing reconstruction of a Nuxalk house-screen, in horizontal orientation; done in pencil. Drawing is of a large upside down V-shape with three enlongated U-shapes extending from the bottom edge; additional ovoid-like design, with a U-shape protruding from the side, hangs from right end of the V. Ovoids protrude from top edge of V; interior of drawing filled with formline design elements. Overall drawing has a rectangular outline with three horizontal lines through it, overtop of the designs, and forming four sections; grey bands along all short edges of sections. Title, artist signaure, and date made written in bottom right corner.

Drawing reconstruction of a Nuxalk house-screen, in horizontal orientation; done in pencil. Drawing is of a large upside down V-shape with three enlongated U-shapes extending from the bottom edge; additional ovoid-like design hangs from left end of V. Ovoids protrude from top edge of V; interior of drawing filled with formline design elements. Overall drawing has a rectangular outline with three horizontal lines through it, going overtop designs, and forming four sections; grey bands along all short edges of sections. Title, artist signaure, and date made written in bottom right corner.

Drawing reconstruction of a Nuxalk house-screen, in horizontal orientation; done in pencil. Drawing is of a bird shown in profile, facing left side of print. Figure has large wings pointed downward, clawed feet, a thin beak, and angled, pointed protrusions towards the back of the body; formline design elements throughout interior. Overall drawing has a rectangular outline with two horizontal lines through it, going overtop designs, and forming three sections; grey bands along all short edges of sections. Title, artist signature, and date made written in bottom right corner.

Drawing reconstruction of a Nuxalk house-screen, in horizontal orientation; done in pencil. Drawing is of a bird shown in profile, facing right side of print. Figure has large wings pointed downward, clawed feet, and a long tail; formline design elements throughout interior. Overall drawing has a rectangular outline with dotted lines along the short edges. Title, artist signature, and date made written in bottom right corner.