Small bundle of six bone tools, held together with a sinew cord. Holes sinew is strung through are drilled near the top edge of all tools. Four tools have curved tops and pointed ends; other two are flat and have sloped tips. Pointed tools grouped together on left side of bundle, flat tools on right side.

Small bundle of four sinew twister tools, held together on a hide string. Holes hide is strung through are drilled through the centres of tools. String is knotted on the right side, untied along left. Two tools towards right end of cord are flat, and have rectangle-shaped tops and tapered ends. Two on left side are curled on both ends, giving the tools an overall “S" shape.

Harpoon rest carved in the shape of an animal. Base is flat, back slopes upward slightly into a tall slanted neck. Head is small and triangular in shape. No facial features, limbs or additional decoration.

Curved antler handle. Long hide thong strung through holes drilled into each end. Top edge is scalloped, for finger grip. Front has been polished; back is rough, showing core of antler.

Model fish spear made of antler, consisting of the head and shaft (spear originally one piece, has broken in half). Head (part a) is trident-shaped, with two antler prongs on either side of the shaft tip. All are riveted together. Curved screws inserted into ends of prongs, facing inward, forming hooks. Pointed barb screwed into top of shaft tip. Long shaft (part b) fits into bottom of spear head, between ends of antler prongs. Hole drilled through bottom edge with a white cotton tie looped through, for attachment or hanging purposes.

Long, thin scoop-like ladle made of antler. Shallow bowl has steep sides and curved ends. Handle is rectangular and angles upward. Two holes drilled through centre of handle with strip of hide looped through, forming a hanging tie. Bowl and back of handle have been polished; front of handle is rough, showing core of antler. Previous repair work below hide tie. Small metal plate has been riveted to front, covering a large crack visible from the back.

Stonecut print of eight hunters pulling a sled. Four hunters are holding onto the sides of the sled, two on either side, and three are pulling it forward with a single cord. The four holding the sled have their backs turned, three pulling are facing left. The eighth hunter is standing alone in the foreground. All are wearing parkas, with the hoods up, short pants, and tall boots. The clothing of the seven with the sled are plain black. The eighth hunter has white trim along the parka cuffs, and bottom edges of the parka and pants. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative symbol stamped in bottom right corner. Canadian Eskimo Arts Council blind-embossed stamp below Cape Dorset Co-operative symbol. (Print is taped to board backing.)

Drawing of two rows of forward facing humans, that extend upward from two wide orange and green bands. Top row of humans is depicted from the shoulders up, bottom row from the waist up. Six humans along the top are wearing snowsuits and have identical facial features and tattoos. Eyes are oval-shaped, noses are long and thin, and mouths are open and oval-shaped. Tattoos are linear. There are three horizontal lines across the nose; three lines radiate out in a fan-like shape from the bottom of the mouth; and three lines on each side radiate out from the top of the nose across the forehead. Designs are done in black. Seven humans along the bottom are wearing snowsuits and have identical facial features. Eyes are oval-shaped, noses are long and thin, mouths are open and oval-shaped, and beards are triangular. Features are done in black, blue and dark green. Snowsuits of all humans are dark blue, blue, green, grey, orange and lavender. Syllabics written along the bottom centre in dark green. Pencil inscription on back, in bottom right and left corners.

Stencil print of spears and hooks. Row of seventeen orange spears, pointed down, overtop a row of twenty dark brown hooks, pointed up. Rows divided by a wide green line. In the bottom right corner of the print the title, signatures, edition number and date made are written in pencil. Signatures, in syllabics, with Baker Lake symbol stamped next to pencil inscription. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner. Pencil inscription on back, in bottom left corner.

Stonecut and stencil print of a woman with a sealskin tent. The tent is partially assembled with one pole secured and the roof hung overtop. Roof consists of dark yellow and black sealskins stitched together. The woman is standing to the right of the tent, attaching the poles. She has braided black hair and is wearing a white parka, light grey pants and large boots. The parka is long-tailed, with black trim along the hood, and is outlined in dark yellow ink. There are black rocks across the base of the tent. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative symbol stamped in top right corner. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner.