Model totem pole depicting a bear, a figure holding a copper, and a thunderbird on top; nailed to a square base with a rounded top. The thunderbird has separately carved and attached wings spread out at its sides. The bear is in an upright seated position; front paws are resting on top of the human figure, whose body is covered by the copper. Pole is painted dark brown-red with black, red, dark green, and dark blue-grey highlights throughout. Formline design elements painted on the copper and across the bear and thunderbird. Inscriptions carved along back of pole and on base.

Carved and painted wolf mask. The wolf's head is large and heavy, with a wide forehead, strong jaws and a long, blunt muzzle with black nose. The face is painted grey, with lighter grey markings. The eyes are cutout, and shows the red painted on the back of the mask. The wide mouth has bared teeth, and large triangular ears sit on either side of the face.

Small flatbow (part a) and two arrows (parts b-c). Bow is rectangular in shape and has hexagon-shaped string nocks protruding from either end. Bow gently narrows at centre, for grip. Artist inscription written along lower section of bow, on belly. Arrows consist of points inserted into shafts; all parts are made of wood. The points are secured with fibre cord; painted dark red. Nocks are carved into shafts and whipped with fibre cord. Two helical fletch also secured to each shaft with cord, at top and bottom. Cresting along shaft; alternating stripes of red-orange and dark green. Points have thin triangular tips. The longer arrow (part b) has a protruding triangle decoration underneath the point, before flaring into the tang. The other arrow (part c) has no additional decoration. Triangle decoration is painted red-orange, tang painted dark green; other arrow (part c) only has a band of red-orange across the tang.

Painting on paper depicting a figure dancing with a Thunder Bird mask and costume; two large Thunder Bird masks painted to right of dancer. Figure's mask has a thick ridge on top with two horns protruding from back; mask is open-mouthed and has white teeth. Cedar bark fringe extending from back edge. Figure is wearing a long cape consisting of cedar bark and wood panels painted to look like feathers; similar feather-like leggings wrapped around calves of dancer. First mask, in top right, is facing left and has cedar bark braid and fringe along bottom edge; ridge with curved horn along top. Horn has an animal motif across side. Second mask, in bottom right, is right facing and has cedar bark fringe all along top, back and bottom sides of mask. Skull-like protrusion on top centre of ridge on head. All masks and costume elements are decorated with formline designs; done in black, white, green, gold, blue, red, and orange. All cedar bark is painted gold, orange, and black. Title, artist signature and edition number, No. 9, written in pen along bottom edge of painting. Additional numbers written in corners on front and back.

Painting on paper depicting a woman with a cradle puppet. Masked woman is standing behind large cradle and is reaching into it, with her arms stretched out towards the puppet. Smaller puppet is sitting up with its arms bent and reaching for woman; both figures have unbound brown hair. Two long strings connected to puppet's back and are threaded through headboard of cradle, extending onto right side of painting. Cradle has high head and footboards; headboard is more upright, footboard steeply tilted backwards. Formline designs across figures and cradle; done in black, gold, teal, brown, maroon, and lime green. Title and artist signature written in pen along bottom edge of painting. Additional numbers written in corners on front and back.

Stoneware figure of a small upright seal. Face consists of incised circular eyes and a circular open mouth. Small foreflippers are wrapped around front of body; lines incised along bottom edges, imitating digits. Semi-circles incised along front bottom edge of figure, imitating hind flippers. Figure is hollow with an open base. Base is unglazed; rest of seal is white with grey-green and dark brown undertones. Unsigned.

Stoneware figure of a standing bird. Face consists of incised eyes and smooth beak. Bird has its wings held against sides, flaring slightly backward at tips; short tail extends from back. Figure is hollow with an open base. Base is unglazed; rest of bird is gold-beige with dark red highlights. Unsigned.

Stoneware scene consisting of four walruses swimming amongst large blocks of ice; base is an irregular rectangle. All walruses are in front half of the scene; all are dark grey with black snouts. They have small eyes, frowning mouths and dots imprinted across their snouts. The two walruses closest to the right side have two white tusks; others are tusk-less. Base is unglazed; ice and surrounding water done in white with grey-green undertones. Unsigned.

Stoneware figure of a bird with outstretched wings; two chicks huddled under each wing. Each bird has large carved circles on either side of their face, imitating eyes; beaks are coloured dark brown with rounded tips. All birds have rounded feet with incised lines along the bottom edges, imitating claws. Small tail protrudes from back centre of bird, with lines incised throughout, imitating feathers. Spirals and semi-circles incised along bottom edge on back of bird, imitating ends of feathers. Figure is hollow with an open base. Exterior decorated with speckled glaze; interior undecorated. Artist signature incised along bottom edge of interior.

Stoneware figure of a small upright seal. Face consists of incised circular eyes and a mouth. Foreflippers are wrapped around front of body. Figure is solid and base is unglazed; rest of seal is red-orange with dark yellow undertones and dark brown speckles throughout. Unsigned.