Stonecut print of a camp. Scene consists of four igloos with eight figures and two dogs. There are three igloos in the background and one in the foreground; back igloos are in a row, front igloo in centre. The igloo on the left side of the print has walls extending outward and connecting it to the igloo in the foreground. All of the figures are wearing hooded parkas, mittens and tall boots. Four figures are in the background, on top of and behind the igloos, holding tools. One figure is sitting, hunched over, in the entrance to the igloo on the left. Another figure is on their knees, holding a fish, in the entrance to the igloo in the foreground. In between the two sitting figures is a dog. On the right side of the print a woman is standing, with a baby strapped to her back, and holding a pole with three fish speared on it. The second dog is standing on its hind legs, next to the woman, attempting to eat the fish. There is a sled in the upper right corner of the print, behind an igloo; hunting equipment in the bottom left corner. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative Symbol stamped in upper right corner. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner.

Stonecut print of two geese and a nest. One goose, done in black, is standing overtop the nest; second goose, done in dark brown, has its back turned to the first and its head bent to the ground. Both have their wings spread. The nest has three eggs in it and is done in green and yellow; ground done in same colours, with white spots throughout. Along the bottom edge of the print the edition number, a syllabic inscription and date are written in pencil. Diamond-shaped blind-embossed stamp in bottom left corner.

Tamer's headdress. Cedar bark headdress in the form of a rounded beak: two semi-circular flaps at front representing a beak with two long oval shapes that sit on top of beak, a hooked nose that projects out over the beak. Bunched cedar strips are attached at the top of the headdress frame with thick white string, and white string is wrapped around the base of the frame at the back. (Photos show mask without the nose piece; nose repaired in 2021.)

Canvas drawstring bag with repeating silkscreen-printed thunderbird motif. The thunderbird bodies are forward facing, with heads in profile. They are made of black designs with red highlights throughout. Black band border along bottom edge with alternating triangle motif. Bottom triangles are black. Top row has black triangular outlines; the rest of the space is naturally coloured. Black drawstring ties are on the front and back centre of bag, along the top edge. Holes for ties outlined with brass-coloured metal. Seam along back centre. Interior lined with clear plastic. Paper label with design and artist information affixed to base.

Woven cedar bark screen with painted design in a horizontal orientation. Image is of two identical thunderbirds, bodies facing front and heads facing each other. Thunderbirds are outlined in black with formline designs throughout interior. Designs done in black with green and red-orange highlights. Each thunderbird has a curved horn on the back of their head and semi-circular shaped protrusion on top of their head. Thunderbirds have downward pointing wings and legs widely spread outward. Wings and tails have three feathers each and they are filled with dots. Wings have blue-grey dots, tail feathers have green. Main bodies are filled with red-orange dots, surrounding central designs, and head filled with blue-grey dots. Borders around all edges of screen are made of dyed(?) dark green-black strips of bark. The screen is edged with wide strips of bark.

Poster from a set of 12; caption says “Decolonize”. Front of poster is beige with an abstract design, consisting of formline elements, overtop. Border and negative space, between designs, is beige. Motifs are in the upper three quarters of the image, and are done in blue, blue-grey, dark blue and red. Bottom section is a dark blue band, with the “Decolonize” caption along the top edge and a row of ovoids below. Designs and text are done in blue-grey. Back of poster is white, with the artist statement and series information typed in black ink.

Poster from a set of 12; caption says “Confront”. Front of poster is beige with an abstract design, consisting of formline elements, overtop. Border and negative space, between designs, is beige. Motifs are in the upper three quarters of the image, and are done in blue, blue-grey, dark blue and red. Bottom section is a dark blue band, with the “Confront” caption along the top edge and a row of ovoids below. Designs and text are done in blue-grey. Back of poster is white, with the artist statement and series information typed in black ink.

Poster from a set of 12; caption says “Challenge Stereotypes”. Front of poster is beige with an abstract design, consisting of formline elements, overtop. Border and negative space, between designs, is beige. Motifs are in upper three quarters of the image, and are done in blue, blue-grey, dark blue and red. Bottom section is a dark blue band, with the “Challenge” caption along the top edge and “Stereotypes” along the bottom. Short row of small ovoids in between words. Designs and text are done in blue-grey. Back of poster is white, with the artist statement and series information typed in black ink.

Poster from a set of 12; caption says “Idle Know More”. Front of poster is beige with an abstract design, consisting of formline elements, overtop. Border and negative space, between designs, is beige. Motifs are in upper three quarters of the image, and are done in blue, blue-grey, dark blue and red. Bottom section is a dark blue band, with the “Idle Know More” caption along the left side. Rest of band is filled with ovoids. Designs and text are done in blue-grey. Back of poster is white, with the artist statement and series information typed in black ink.

Poster from a set of 12; caption says “Idle No More”. Front of poster is beige with an abstract design, consisting of formline elements, overtop. Border and negative space, between designs, is beige. Motifs are in upper three quarters of the image, and are done in blue, blue-grey, dark blue and red. Bottom section is a dark blue band, with the “Idle No More” caption along the left side. Rest of band is filled with small ovoids. Designs and text are done in blue-grey. Back of poster is white, with the artist statement and series information typed in black ink.