Square black and brown stoneware lidded box. Two raised lines circle box at the base and under rim. Lid has four sections meeting at a slight point in the centre. Each section has scored lines facing different directions.

Stoneware vase with two side lobes or 'wings.' The wings have rounded bodies tapering to flat edges that are pointed at the top corners, and then curve down to meet round flat pedestals. The two wings are attached to a bumpy diamond shaped core. The inside of the hollow core is shaped like an irregular tube. Stylised signature on base.

Large, round, stoneware bottle with flared lip and small round mouth, with a hanging loop on either side of mouth. Ribbing around the front edges is a pebbly brown colour. Discs of green tinged with brown decorate front and back. A braided rope is attached to the loops to form a handle.

Unpainted, wooden whistle that is oval in cross section and comes to a tapered end. Previously broken into four lengthwise pieces, now repaired so there are two pieces (parts a-b). The first piece (part a) is semi-rounded and whole except for the chipped tapering end. The second piece (part b) is semi-rounded with a vertical crack down the middle of the tapering end.

Large, round, wall panel carving in the style of a spindle whorl. The motif at the lower centre is a frog, whose back legs are composed of salmon heads, while the frog’s front legs are feathers from a pair of thunderbirds. Circles of oxidized copper make up the eyes of the creatures. The background, between the animals, is painted grey.

Painted drum made of stiffened skin stretched over a round frame of wooden slats, attached together with adhesive. Skin wraps around frame edges to the back, where thin strips of sinew are attached through holes to draw the material tight. These are lashed together with leather thongs at centre, making a handle. The face of the drum is painted red and black, with four salmon heads emerging from the sides, surrounding a series of concentric cirlces at mid-point with interspersed crescents and traingles .

Bentwood box made of yellow cedar, with separate lid (part b). Box is deeply carved with images of birds on two sides, decorated with inlaid circles and ovals of abalone shell for eyes and feather decoration. Into one side of the box is carved a wolf, painted black, with 8 shell operculua creating an even row of teeth in the open mouth. Abalone shell is used for the eye and other decoraton. A flower with foliage is carved beside the wolf. The fourth side is carved into repeating triangular and oval motifs, with black and rust paint accents. The lid (part b) is raised on one side, with 18 shell opercula in 6 rows of 3 shells decorating the high edge. Edges are painted black, while the top is coloured rust. Lid has an inset lip at bottom.

Carved wooden rattle with stand (part b). Rattle has a round head, relatively flat, with strips of cedar looped around the outer edge. The front is decorated in a blue painted thunderbird motif with white accents, while the back is painted with a black thunderbird. The handle of the rattle is tightly wrapped with a braided cedar rope. The stand (part b) is cone shaped, with a hole at centre top into which the rattle's handle fits in order to hold it upright. The stand is undecorated except for black paint in and around the hole and base.

Tall glass sculpture with three cedar mount parts. A tall glass cylinder (part a), rounded at top and bottom, is the central piece in the sculpture, representing a trade bead. Its under-layer is frosted white, covered by a red frosted cut-out layer in swooping patterns and dots. It sits on a low, round cedar base (part b), carved along the edge, with a mat of woven cedar bark at centre. A hole in the middle supports a wood pole (part d) that extends throught the glass cylinder and is capped at top by small wooden lid (part c), carved similarly to the base.