Ceramic platter. The front has a white background with a painted grizzly bear in brown and black with light blue accents. The animal is seated, eyes wide, mouth open, forelegs raised to the sides, back legs bent. Inscription on the back of the piece describes the scene as "the Great Grizzly Bear before his terrible battle with Mother Beaver". The platter is rectangular in shape, with a shiny glaze covering the front and back.

Small porcelaineous bowl. Body of bowl is deep, squared at lip and round at base. Sides narrow toward the short, round, deeply inset pedestal at bottom. Bowl is glazed off-white inside and out, with a dark blue rim. "CJ" is stamped into the pedestal.

Bone awl. The bone itself is the partial ulna of a goat or mule deer. The distal end has been sharpened to a point, while the proximal mass has a small, straight cut in one side.

Hollow bone tube with bands of cross-hatching at each end. Brown twisted hide cord wrapped around middle, leading to long loop. Cord is reddish on some edges and has been darkened by use.

Tall, double-sided, three-dimensionally carved vertical panel on stand. Killer whale and crocodile themes; one side is inspired by coastal Salish themes/imagery, the other side is inspired by Sepik River (Papua New Guinea) themes and imagery. Made of yellow cedar, walnut and rosewood, with ebony inlay.

Basketry violin case. Case in the general shape of a violin, with a long neck and widening of the upper and lower bouts. Lid is attached with two small decorative metal hinges at back, and closes with a hide tie at front. Case is heavily decorated on the exterior with red and black cherry bark and grass beading, in a checkered pattern. A woven cedar bark handle is attached below the front tie closure, attached on one side by a hide loop and the other by a brown and yellow shoelace.

Glass bead. The piece is short and tubular, with a machine-faceted surface and hand cut facets around the narrowed tip of both edges. The exterior is clear, shiny glass, with a blue interior core. A small hole is bored through the centre.

Glass bead. The piece is wide and round, a shiny dark blue, faceted on the outside. One end decreases in diameter and is hand-faceted, while the other is sheared. A large hole is bored through the centre.

Glass bead. The piece is wide and round, a shiny dark blue, with three layers of facets hand-cut into the surface. Ends are unfinished. A large hole is bored through the centre.

Glass bead. The piece is short and tubular, with 7 facets cut into the surface around the centre as well as around the narrowed tip of both edges. The exterior is clear, shiny glass, with a blue interior core. A small hole is bored through the centre.