FROM CARD: "SECTION INCLUDING ALL LOWER RIGHT QUADRANT AND PART OF LEFT QUADRANT MISSING; HOWEVER DESIGN CAN BE DETERMINED WITH REASONABLE ACCURACY FROM EXISTING PIECE. LINEAR BORDER SURROUNDING OUTSIDE OF ALTERNATE RED AND SIZE MARKING PARALLEL LINES; EXTENSION INTO HEAD AREA OF PARALLEL LINES OF SIMILAR CHARACTER. LARGE CENTER AREA DIVIDED INTO QUADRANTS BY INTERSECTING BANDS OF RED LINES AND SIZE MARKINGS. WITHIN EACH QUADRANT IS COMPLEX MOTIVE CONSISTING OF A CIRCLE ('SUN SYMBOL'?) ELABORATED WITH DOUBLE CURVES; (EACH QUADRANT IS BILATERALLY SYMMETRICAL ON LONG AXIS). THE ENTIRE PAINTED DESIGN COULD ACCURATELY BE REPRODUCED IN A COLOR PAINTING FROM THE EXISTING FRAGMENT. THE PAINTED DESIGN MORE CLOSELY APPROXIMATES NASKAPI STYLE THAN PLAINS INDIAN PAINTING. PROBABLY FROM THE NORTHERN WOODLANDS - GREAT LAKES AREA - JOHN C. EWERS, JAN. 16, 1948." Artifact is illus. Fig. 2, p. 61 in "Ceremonial Robes of the Montagnais-Naskapi" by Alika Podolinsky Webber, American Indian Art Magazine, Vol. 9, No. 1, Winter 1983, and identified there as "Ceremonial robe fragment. Naskapi [Innu] ... Native tanned unsmoked caribou skin. 100.5 cm long, 63 cm wide. The large center area is divided into quadrants by intersecting bands of red lines and size markings. Within each quadrant is a complex motif consisting of a circle elaborated with double curves; and the circle itself is divided into four equal sections forming a cross." Possible meanings of the design are also discussed on pp. 67-68 in the same article.

From card: "Drum Illus. in BAE 11th AR, fig. 152, p. 325. Of the Algonquian family. Shell a hoop of wood; heads of seal intestines stretched over square flesh-hoops and held by tightening hoops, through holes in which the lacing passes. There are two snares of twisted sinew with sections of quill attached. Beaten with a bone drumstick."Illus. p. l in Turner, Lucien M., Scott A. Heyes, and K. M. Helgen. 2014. Mammals of Ungava & Labrador: the 1882-1884 fieldnotes of Lucien M. Turner together with Inuit and Innu knowledge.

From card: "Made of black velvet, stuffed with sawdust or shavings, lozenge-shaped, rounded ends, double row of white beads around edge, loops pink beads represent the legs. Braided red cord at nose end. Indian donor had never seen another such beaver charm."

From card: "Soft soled; beadwork floral design on red strouding over the instep; lined in flannel. Correct descriptions should be: People: Northeast Indians; Locality: Northeast Woodlands - W. Sturtevant Curator, n. Amer. Ethn. (4/85)".

Originally catalogued as made of sealskin, but this is not correct; appears to be caribou.Illus. p. 97 in Turner, Lucien M., Scott A. Heyes, and K. M. Helgen. 2014. Mammals of Ungava & Labrador: the 1882-1884 fieldnotes of Lucien M. Turner together with Inuit and Innu knowledge. Identified there as "Caribou skin sleeping bag (1884). A sleeping bag used and collected by Turner at Ft. Chimo. He noted that the sleeping bag was a European concept co-opted by some Inuit. It measures 7' x 3' x 8". Turner wrote about its comfort: "The Arctic traveler who has once indulged in sleep within the soothing folds of a soft reindeer skin sleeping-bag will be loath to expose himself to the vagaries of an uncomfortable bed and shifting blankets." Turner (1887a: 703) noted that pogaluk was the Inuit word for sleeping bag." Sleeping bag is also further described on pp. 96-97 of the publication.