Found 25,768 items associated with . Refine Search
Found 25,768 items associated with . Refine Search
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Large, green stone, multi-figure carving (part a), with walrus tusk projections standing upright at each side (parts b-c); sides of tusks with drawings face forward. Base of carving is an arm, with a raised fist on left end, and simple animal features on right. Hand is clenched around a cone-like shape. Animal has large deep eyes carved into either side of arm, and a set of whiskers incised towards the centre, along the base's edge. Large loon is sitting on centre of arm; legs hanging down either side. Bird's body is facing towards the hand, head turned backwards. Large fish hanging from loon's beak, with head touching back of bird's body. Tusk projections are incised with drawings and attach to the stone with wooden dowels. Tusk on right side (part b), above animal, is incised with four brown ink drawings on one side (from top): fish, loon, person, walrus; the other side has three harpoons and syllabics in brown. Tusk attached above fist (part c) is incised on both sides with black ink drawings. One side has (from top): seal, bird, 2 wolves, and walrus; the other side has drawings of three types of clothing (from top): k'arlik, koliktar, and amautik.
Linocut print on rectangular off-white paper, in portrait orientation; relief design with background done in black, design same colour as paper. Design consists of two sea spirits with humanoid upper halves and tails. Largest spirit in centre depicted in profile, facing forward; has large circular eyes, square nostrils, smiling mouth, and wrinkled face. Large ears are being held by two hands, and third arm is holding a fish. Second spirit, along left side of design, is shown in profile, facing other spirit, and holding it's tail with two hands. It has long hair, a small ear, and protruding lips. Wavy lines and fish throughout background. Title, print type, edition number, 15/50, place made, date made, and artist signature written along bottom edge of print in pencil. Canadian Eskimo Arts Council logo stamped in bottom left corner, underneath inscription; West Baffin Eskimo Co-operative stylized igloo logo in top left corner of design.
Stonecut print on rectangular off-white paper, in horizontal orientation; done in black ink. Design of a person in an igloo and a woman giving birth. The igloo has a circular protrusion on top, and a black base with syllabics across it. The woman is giving birth next to a bare tree, underneath an overhanging branch. Additional tree on the right side of the print, with another person hanging upside down from one of the upper branches. Edition number, 11/50, title, print maker, artist, and year made written in pencil along bottom edge; title, maker, and artist written in both syllabics and English. Canadian Eskimo Arts Council logo embossed in bottom right corner; additional logo, consisting of syllabics inside a rhombus, embossed in bottom left corner.
Small dark green velvet bird ornament decorated with beads. The neck is decorated a beaded crisscross pattern in light green, white, light blue, yellow and black. The bird has a line of three beads for eyes on each side: black, red, black. There are single orange beads spaced all over the bird. There is one red pompom ball attached to the beak and two hanging under the bird, all hanging from a length of orange beads. The wings and tail are composed of fabric covered board - with green fabric on top and red fabric underneath. The wings, tail and other seams are lined with orange beads. Both wings and the tail have a design of three beads: orange, yellow, orange. The is a single gold ribbon attached to the bird's head and tail for hanging. The body is filled with stuffing.
Large yellow fabric bird ornament decorated with beads. Most of the seams are whip-stitched with clear beads incorporated into each stitch. The neck is decorated with cylindrical glass beads creating a crisscross pattern, and two columns of purple sequins, each with a red bead. The bird has evenly spaced translucent yellow beads all over. There are two pompom balls attached to the beak, and three which hang from a tubular perch. The wings and tail are fabric covered board - with yellow fabric on top, and red fabric underneath. The top of each wing is beaded in with a green and white foliage(?) design, and the tail is beaded with a star burst design. The is a single dark blue ribbon attached to the bird's head and tail for hanging. The body is filled with stuffing.
Pounded and engraved, slightly oval silver pendant with design covering front side. Markings of a 1913(?) Silver Canada 25 Cent piece are still visible on the concave back side. The top of the coin has a pierced hole with a round clasp inserted.
Hat pin consisting of a front plaque (part a) and separate pin, broken in half (parts b-c). Plaque depicts a bear confronting a walrus; both done in profile. Bear has a small protruding ear, black inlay eye, and fangs bared. Walrus is depicted from the chest up, with its head tilted back; has black inlay eye and jutting tusk. Base of plaque is a thin rectangle with the owner's name, Susan (suusaa), carved in syllabics across entire length; characters filled with black pigment. Back of plaque has two rounded ridges with holes drilled into them; pin would insert into holes to secure hat pin. The separate pin has a square-like head (part b) that tapers to a point (part c).
Hat pin made up of a decorative front plaque, with two rounded ridges on the back; holes drilled into the ridges, for a pin to be secured through. Plaque depicts two small bears on either side of an igloo. Bears are carved in profile, each with a small protruding ear, black inlay eye, and with their fangs bared; black pigment around paws of bears. The igloo has a cutout for the door and a small cylinder protruding from the top centre; incisions for ice blocks filled with black pigment. Base of plaque is a thin rectangle with the owner's name, Susan (suusaa), carved in syllabics across entire length; characters filled with black pigment.
Hat pin consisting of a front plaque (part a) and separate pin (part b). Plaque depicts a bear, on all fours, eating a seal. Bear is carved in profile, with a small protruding ear, and black inlay eye. Upper half of seal's body is hanging out of bear's mouth; circular cutouts for eyes. Base of plaque is a thin rectangle with the owner's name, Doug (umialu), carved in syllabics across entire length; characters filled with black pigment. Back of plaque has two rounded ridges with holes drilled into them; pin fits into holes to secure hat pin. The separate pin has a square-like head that tapers to a point.
Hat pin made up of a decorative front plaque, with two rounded ridges on the back; holes drilled into the ridges, for a pin to be secured through. Plaque depicts a bear, on all fours, with a seal in its mouth. Both are done in profile with black inlay eyes; bear has a small protruding ear, seal has a fin. Seal's face is in bear's mouth, with body turned away, and back curved outward. Base of plaque is a thin rectangle with the owner's name, Audrey (atuuri), carved in syllabics across entire length; characters filled with black pigment.