Wooden model pole featuring, from bottom to top; a bear holding an upside down frog, a beaver, a wolf, a frog and a bear holding its long tongue with hands. At very top there is a bear crouched over the top of two watchmen. The wood is stained (unpainted).

Round basket with attached lid. Basket is made of strips of black ash wood, in a variety of broad weaves. Around centre of body are two strips of twisted bark that create a wooden curl. Both above and below are strips coloured light pink. Near base is a thin braid of green-coloured bark. Two handles sit opposite each other, circles of bark attached by a curl under the rim. Lid is connected to body by black thread, which also sews strips of bark together to create lid’s rim. Green braids are woven around edge, and bark curls attach a handle to centre of lid.

Rectangular carved bird-like being frontlet bordered by a row of individually carved and painted human faces (representing ancestors). Central figure is a bird-like being by a long, recurved beak and human-like eyes, eyebrows, and mouth. Being has wings, sitting with claws inward. The eyes are circles of abalone under arched black brows. Two abalone inlays on each wing. The rear of the frontlet is concave. Painted red, green-blue and black, on natural wood.

Carved pendant with a figure carved vertically over the curved front surface, with its head at the bottom. Pendant has a hole drilled through at the figure's feet, for hanging. Artist inscription on back: "JD Entuc 03".

Chief's chair, fully carved with animal motifs on most of its components. The chair has a deeply carved seat with a figure that likely represents a sculpin, characterized by a broad, toothed mouth, a horn-like spine on either side of the head, a series of spines along each fin, and the body with tail fin. Its mouth is centred on the bowed front edge of the seat, the facial features are carved on the seat’s upper front surface, and the fins and body (portrayed as a face) are arranged over the remaining seat in a split, bilateral fashion. It is painted in black and red, with some blue-pigmented areas and diagonal parallel hatching; other areas are left unpainted. The carved upper panel on the chair’s back depicts a face with black eyebrows and broad, toothed mouth. Connecting the panel to the seat is a vertical splat carved in the form of a fish and enclosing a human figure. The chair’s curved arms represent wolves, their heads facing downward and limbs folded. Also distinctive are the front two chair legs, which are carved in the form of downward-facing, supernatural raven heads; these feature blue-pigmented eye sockets and teeth, black beaks and eyes, and red lip-line and nostrils. The rear legs and stiles are painted but not carved. The four carved stretchers between the legs are made to represent different creatures: a killer whale with dorsal and pectoral fins folded back along its body and tail flukes folded up; a bear-like figure holding a long fish with ridged body; a wolf-like figure with extremely long “fingers”; and a figure with a beaver-like head, characterized by prominent incisors.

Two pieces of abalone cut into octagonal shapes, knotted through holes in the middle of each, with a hide thong, and another knot in the centre. The hide has been coloured red.

Pair of silver earrings; cut out American eagle style design, with their wings outstretched. Earrings have screw backs.

Abalone brooch in the shape of a pair of abalone hearts, surrounded by silver and soldered together at the upper inside edges. A safety pin type clasp is attached on the reverse. There is a small hole drilled through each heart.

Cuff style silver bracelet. Engraved with mirror-image animals (bears?), facing each other. Cross-hatched background. Inscription inside reads “HAIDA CRAFT ART”.

Cast silver pendant in the shape of a killer whale. Artist inscription on back. There is a hanging loop on top of the fin, for the silver chain (part b).