Model totem pole with three carved figures. From top, a male figure with feather headdress and green-blue eye mask with red marking. The carved headdress has six upright feathers, which increase in size and then decrease again giving the headdress a curved appearance, and an ovoid painted above the figure's head. The seated male figure holds an upside-down grey fish in front of his body, and sits on top of the head of a large animal figure (sea-wolf or sea-bear?). The animal looks downward and sits on a mound creating an s-shape to its reddish-brown body.

Old wooden loom with two upright support posts (parts a-b) and one rolling bar (part c). The support posts are rectangular in shape with one tapered end. Each post has two rectangular cutout holes near each end. On one post (part a), there is a small rectangular piece of wood nailed across the lower cutout hole near the tapered end. The cylindrical bar (part c) has been painted.

Model totem pole (part a) with detachable wings (parts b-c). Pole has four carved figures, from top: thunderbird with pink beak; a human holding a sea lion upside-down, with a face depicted between the tail flippers; the sea lion holds a sea creature in its mouth. The figures all have eye outlines - thunderbird in blue-green; human in green; the sea lion in blue; and the sea creature has blue. The sea creature's mouth is outlined in red, and has five full and two half black vertical stripes on its body. 'CHARLIE JAMSON' written on back.

Model totem pole (also fragment bag with wing pieces). From top, bird figure, killerwhale, upside-down male figure. The bird has a large head and small body. It is seated on the back of the killerwhale below, with seperately carved wings inserted into its back. It has feathers painted and a face on its chest. The killerwhale is upright with its head bent forward with the lower half of the upside-down male figure partially inside of its mouth.

Model totem pole with three carved figures. From top, a seated or crouched male figure with feather headdress. The carved headdress has five upright feathers, which increase in size and then decrease again giving the headdress a curved appearance, and an ovoid hole carved above the figure's head. The male figure is crouched on top of a large head, and holds a serpent in front of his body. The large head has upright rounded ears.

Silver napkin ring. Engraved animal (whale, or sea mammal?) design covers the outer surface, with cross-hatched background. The design is bordered at the top and bottom by a vertical, tightly packed linear design, all the way around. Engraved inscription on inside.

Babiche bag with pink and blue yarn tassel decorations. Main body of bag done in an open weave; babiche is white with a thin brown stripe towards top edge. Bag opening consists of a wide band of caribou skin with two ties along top edge, for securing bag closed. Long hide strap stitched to outer corners of opening. Yarn decorations done in rows of four, three, and three on front; four tassels along bottom edge and additional ones on each side. Back of bag is undecorated.

Baby carrier made of hide stretched over a wood frame; long sides are rounded, short ends are straight. Wood frame consists of thick carved pieces and split branches; carved pieces make up top and bottom sections of frame, branches form sides. Carved wood pieces are secured with nails; branches bound with floral-patterned fabric. Hide is stitched around top rim of cradle and along short edges. Additional floral-patterned fabric is wrapped around the carved wood sections of the frame. Raised semi-circle extends from top edge, at head of cradle.

Silkscreen print based on an abstract painting. Non-figurative design in black, red and blue, with a black rectangular border, on beige horizontally rectangular paper. In pencil at bottom: MP River Monster Cranmer 92.

Raven headdress, or mask, with long cedar bark fringe. Emerging from the top of the head is a short cedar bark fringe, as well as black feathers and two attached wooden wing panels. Two additional upright wooden wing panels are attached at the back, and one horizontal panel. The panels are carved in relief and painted black, brown and dark red on a black background. The beak is black, and mouth is red. The lower part of the beak is hinged with strips of hide(?), nailed in place, and a thin grey plaited rope is attached to the inside of the lower beak, and hangs down with the long fringe. The eyes are black, outlined in red and black on a white ovoid background; the brow is black. The inside of the headdress is hollow and lined with yellow foam on the upper portion. Two thick plaited ropes are nailed to the top, at the back, to hold the mask on the wearer. Attached along the top ridge is a twisted and dyed cedar rope.