Painted drum (part a) made of stiffened skin stretched over round wood frame. Skin wraps around frame edges to the back; thin strips of sinew looped through holes in skin draw material tight. Sinew strips lashed together in centre with leather thongs; black looped cord attached to leather, for hanging purposes. Face of drum has bird, fin and sun motifs painted across surface, made up of formline design elements; done in dark blue, gold, and dark red. Artist signature and date made painted along side of drum; done in red. Drum rests inside separate square wood frame (part b) with tall walls (Metal hooks and wire in interior and on back of frame, for hanging purposes).

Basketry covered clay jar with designs throughout a central band. Designs include steamship, deer, flowers, cannery, and boat; done in red, brown, green, and yellow. Above and below the band are open weave sections, trimmed with red; thin red stripe around foot of jar with purple triangles extending from either side. Two bands wrap around shoulder; top is red and green and bottom is plain yellow. Third open weave section divides shoulder and neck of jar; plain piece of cedar wraps around neck, trimmed with red. Red inverted triangles decorate opening of basketry; base of basketry consists of alternating bands of weave and open weave. Centre of base is woven and decorated with a plain green line. Glazed clay jar is dark brown.

Northwest Coast style imagery painted on a doubled piece of large, rectangular burlap. The image background and facial details are in red, with a vertical dark blue border along the edge of each side. There are four main faces, with round copper buttons for eyes. The bottom section has one of the larger faces, with a dark blue canoe in profile above the centre; then two smaller faces side-by-side in the middle, with two rectangles above, each with two small faces detailed inside; then another larger face at the top, with three dark blue copper shapes above it. The unpainted areas of the faces are natural light brown jute. There are two small white plastic buttons sewn on near the lower left corner. The piece is made of two pieces of burlap folded over at the top and sewn together, using the same jute fibre, along the sides, with the bottom left open. The back is unpainted, with a large Royal Coffee stamped logo in the lower half.

Small woven grass basket with lid. Round basket with upper edge with one strip of cedar bark, that fits tightly under the dome-shaped lid. The imagery on the basket is of four green birds flying in the same direction around the middle, with a black and red stripe near the base. The lid has a faded black peak, with one black swirl and one red swirl below; the bottom edge of the lid has a green and red stripe around it. The colours inside are very bright, showing a dark blue-green and dark red-pink on the lid.

Glass bottle covered with basketry. The basketry pattern has six bands of different types of weaving. The base is plain cedar bark; the bottom outer band is woven grass with red borders and a canoe image on both sides; next is a looser band of cedar weaving with a diagonal pattern (partly transparent), then a wider central grass band with an image similar to the BC Coat of Arms in the centre (shield-like shape between an elk and bighorn sheep, standing at sides) on one side, also with red borders. The other side appears to be a wolf headdress; then another loose cedar bark band; then another grass band with a canoe design on both sides, red borders, and two ducks on the short sides. There are 7 curved lines going up each shoulder; with the basketry ending midwayup the neck of the bottle (clear glass above). The bottle itself is somewhat oval, with flattened faces and rounded sides; the shoulders angle in sharply to a narrow neck (no lid).

Wooden pit-house ladder. Large plank of wood, with five cutout notches, creating six steps. The bottom end tapers slightly, and has long notches cutout of each side. The first step is 46 cm from the bottom. Above the sixth step is a long flat area.

Wooden pit-house ladder. Large plank of wood, with five cutout notches, creating six steps. The bottom end tapers slightly, and has long notches cutout of each side. The first step is 46 cm from the bottom. Above the sixth step is a long flat area.

Model totem pole depicting a bear, a figure holding a copper, and a thunderbird on top; nailed to a square base with a rounded top. The thunderbird has separately carved and attached wings spread out at its sides. The bear is in an upright seated position; front paws are resting on top of the human figure, whose body is covered by the copper. Pole is painted dark brown-red with black, red, dark green, and dark blue-grey highlights throughout. Formline design elements painted on the copper and across the bear and thunderbird. Inscriptions carved along back of pole and on base.

Carved and painted wolf mask. The wolf's head is large and heavy, with a wide forehead, strong jaws and a long, blunt muzzle with black nose. The face is painted grey, with lighter grey markings. The eyes are cutout, and shows the red painted on the back of the mask. The wide mouth has bared teeth, and large triangular ears sit on either side of the face.

Ink on paper drawing depicting a large wolf-like creature sitting at the left of the page, facing right. The creature is drawn with flowing lines, revealing details such as the ribs, and transparent in that you can see the background scenery through it. The scenery is composed of a solid ground in the foreground, with two bands indicating where the creature sits on the ground, horizontal lines indicating water, and a row of mountains, shrinking in size from left to right, in the background. Signed by artist.