Off-white whale bone carving of a male head, with a wide nose, large ears and an open, oval-shaped mouth. Eyes are also oval-like with pointed tips. Area surrounding eyes is sunken, with eye outline and pupils carved in relief. The man's hair is raised and short. He has a slightly curved hairline along his forehead, hair tapers sharply along back of neck. Neck flares outward slightly, and has an angular base. Carving is unsigned.

Etching of a clear-cut landscape in black ink on off-white paper; vertical orientation on black background. Large tree is in foreground with a humanoid figure sadly looking up at it. Figure is holding a staff with two smaller figures wrapped around it. Background is filled with tree stumps; mountains and hills throughout. Mix of fluffy and dark clouds in the sky. All depictions in etching are made of formline design elements. Etching number, title, artist signature and date made written along the bottom edge; blind-embossed stamp in bottom right corner. Framed.

Drawing of a barren landscape in black ink and graphite on off-white paper; vertical orientation on white background. Ovoids, filled with formline design elements, are piled in centre of drawing with broken pieces around them; smaller ovoids are half buried in the ground nearby. In the background is a large pole with a small figure halfway up it. Figure has an ovoid-shaped head; face and body are made up of formline design elements. It is holding a decorated ovoid above its head; plain ovoids attached to top of pole. Artist signature and date made written in bottom left corner. Framed.

Drawing of a humanoid figure in black ink and graphite on off-white paper; vertical orientation on white background. Figure has a large ovoid-shaped head with long hair and its tongue sticking out. Face and body are made up of formline design elements. Figure is crouched in water, with its hands raised, water trailing from its fingers; fingers are long and tentacle-like. Water has dark patches throughout. Artist signature and date made written in bottom left corner. Framed.

Long model kayak made from dehaired seal skin. The kayaker is attached to the inside seat area of the kayak and consists of an upper body only; he wears a seal fur parka and holds a wooden model paddle out front, in both hands. The figure's face is made out of stocking, with an embroidered face, including part of a blue wool cap (or hair?). There is a separate model harpoon (part b) with a wood handle, antler point and sinew rope, that fits under the skin lashings of the kayak. Model is unsigned.

Painting of a diving killer whale overtop of a rectangular face. Whale is painted black and blue, with highlights of green, red and white. It is shown in profile. Male face, along bottom centre, is in frontal view, painted brown with red lips and green highlights over the eyes. Sun painted in the top right corner, background done in grey-green. Surfaces are unevenly painted. Signed in lower right corner, “C.B. Greul 1959”. Painting is framed, and has work information written across back. (Hanging hardware on back.)

A rough copy of a Nuxalk style moon mask painted in black and red, plaque is done in blue and black. It appears as if a wooden bowl was used to carve the mask?

Human-like figure made of heavy off-white wool. There is a hot pink nylon georgette scarf tied around the body, with a Canadian one dollar bill tucked into it. Part b is a burlap bag, with red and green crosshatched design on front, with a company name and illegible company information printed at bottom.

Chief's blanket, or robe, of woven wool. Rectangular weaving with off-white fringes attached to three sides. Horizontal designs in grey-brown, off-white, dark orange, gold, and dark brown, creating rows (top to bottom) of stripes, triangles, a large zigzag, a checkered pattern, a flying bird pattern(?), then diagonal stripes. Two orange and white braided ties attached to top edge.

Large woven cedar bark basket. The basket has a square base and a large circular opening.