Large woven cedar bark basket. The basket has a square base and a large circular opening.

Digital print mounted on board. The image shows the lower legs and feet of a short-haired female figure wearing a t-shirt and jeans, standing in shallow water. The legs and bare feet are in the upper quarter, with the rest of the person reflected below (upside down in the image). The background reflected in the water shows the sky, with some white clouds visible across the upper section. (Hanging hardware attached to back.)

White ceramic sculpture of five upright baby-like standing figures, all facing the same direction, in a row. The first four are front sides, the fifth is the backside of the figure. All five stand on a raised base. Made of white clay with a clear glaze, however the base has some black on the side.

19 small, model tools and utensils, made from a slate-like stone. Part a- ulu; part b- snow knife; part c- scoop; parts d-f- cups; part g- dish; part h- bowl; part i- round pot; part j- rectangular lamp or pot; part k- crescent-shaped lamp; part l- ulu; part m- snow knife; part n- scoop; part o- pot; part p- pan; part q- ladle; part r- oval lamp or pot; part s- oval lamp or pot. All utensils are unsigned.

Dark brown-red stone carving of a resting bird. Figure is attached to a rectangular base of the same stone. Incised lines on body imitate feathered wings, a mouth and eyes. Deeply carved border along top edge of base. Sides of base taper inward, before flaring out at bottom edge. Carving is unsigned.

Dark grey hard stone carving of a large resting bird, with a curved beak. Pronounced nostrils on top of beak. Semi-circular tail extends from back of body. Wings done in relief with deeply incised, curved lines across surface, to imitate feathers. Similar lines on the tail. Shallow incised lines indicate eyes and mouth. Artist signature on base, in syllabics, with artist number.

Grey hard stone carving of a mother with a child on her back, in the hood of her amauti (parka). Woman has a wide nose, smiling mouth, and incised eyes and eyebrows. Hair is done in relief, and pulled back. Her hands are clasped in front of her body, covered by her parka sleeves. She is sitting with her legs bent under her body. Only the child's head is visible, to the left of the mother's. The child is wearing a hood, and has an open mouth, circular eyes and long nose. Artist signature on base, in syllabics, with artist number.

Black-grey hard stone carving of a standing polar bear (part a). Polished stone, with inset yellow beads for eyes and a set of carved and detailed inset teeth, made from walrus ivory(?). Each ear is carved out, the tail and claws are incised. Each foot has an ivory(?) peg that fits into a corresponding hole in the oval-shaped stone base (part b). Artist signature on base, in syllabics, with artist number.

Walrus tusk crochet hook with 16 small plastic inlay circles in orange and green. Small hook at one end, the other end is thicker and carved in the shape of a bear(?) head, with green inlaid dots for eyes. In the next section a thinner bear head is carved, facing a different direction from the first one, also with green eyes. Hook is unsigned.

Heavy, soft stone carving of a kneeling mother nursing her child. Woman has a pronounced nose, rounded cheeks and straight incised lines as eyes and mouth. Hair is done in relief, and pulled back into a low ponytail. She is wearing a hooded coat, open at an angle in the front to expose her breast. Mother’s right arm supports child’s body from below, left arm supports the neck. Child is wrapped in cloth and wearing a hood. Artist signature on base, with artist number.