Deep painted tray that is divided into four compartments. The sides of the tray flare out from the square base. The interior bottom of the tray is painted with a black design, a circle within four corners with a four point star at centre, partially covered by the divivder. One wall of the divider has a curved upper edge that extends above the sides of the tray and has a hole drilled through it with a fabric tie attached. The sides of the tray and the divider have all been painted with formline designs in black, red and green.

Dagger with long leaf-shaped blade. The blade has a ridge with a carved line running down the length of it on one side, and is smooth and concave on the underside. There is a narrow cylindrical handle followed by a flat end carved with a creature with two large round eyes with red centres. There are two labels adhered to the back, and faded writing in red ink.

Cedar bark cape or skirt. The bark at top is folded and secured with two rows of light yellow plant fibre. Top row ends in tight knot, against edge; plant fibre making up bottom row extends into a tail, tied off at base. Opposite side of band has a long red cloth tie; black, plaid-like pattern across front of tie, back is undecorated.

Cedar bark apron (part a) and two separate ornaments (parts b-c); apron made up of two panels. Apron's waist band consists of braided cords with fringe inserted in between them at centre; all bound together with red-dyed bark. Braided cords continue into long ties on outer edges; end in bundles of tied off fringe. Panels are bound together at centre with red-dyed bark; short braided cords cross over one another in middle of apron. Ornaments are braided pieces of cedar bark with tied off fringe at base; great, black, and white feathers inserted along length.

Cedar bark headband with woven central panel; loose strands at ends are bound together with red-dyed bark tie, close to panel. (Headband is folded in half.)

Digging stick with a broad, slightly curved blade on one side. There is a raised section dividing the handle from the blade. The handle is wrapped with bark, and there is another raised protuberance at the end.

Wood club with a long cylindrical barrel, short shaft and handle - each section separated by raised knob with another at the end. The barrel is carved and painted with four winds designs, a fish, and a water fowl set between a black and red snake that is wrapped around the barrel. The designs are painted red and black on a white background. The barrel tapers in slightly to a cylindrical knob carved with zigzag designs. The handle is carved and painted with an upside-down face. There is string tied around end knob.

Bone club with flat paddle-shape. There is a human-like head carved midway down the shaft. The sides of the face are on the flat edge, with the figure's nose and extended tongue on a narrow edge. On the porous side of the bone, there are two faded crescent-shapes painted in red and black. The shaft tapers in to a handle with a small hole through it.

Portfolio, consisting of a special edition hard cover folder (part a) and a title page (part b), as well as a lithograph portrait of each artist (parts c, j), and twelve prints (parts d-i, and k-p), six by each artist. Folder is light grey with central design of a large ulu, done in dark grey spots and curvilinear lines. Title is written along top edge, and Holman Eskimo-Cooperative logo, consisting of an ulu with "HOLMAN" written through the centre, along bottom edge. There are metal grommets along the right side. Attached to back cover, inside, is a gloss paper folder for holding loose pages. The title page (part b) is done on gloss paper and has acknowledgements, in English, Inuktut, and French, and edition number, 14/55. "KALVAK/EMERAK" and Holman Eskimo Co-Operative logo done in orange-red, all other text done in dark grey. All internal prints/pages are loose, not bound.

Stone carving of a hunter flensing a seal, on an irregularly-shaped base with circular opening in between hunter's legs. Male figure is lying on side with upper body twisted to face backward, left knee bent against ground, and right knee elevated with leg angled away from body. He has oval-shaped eyes, a wide nose, pronounced cheeks, thin mouth, and short hair; features done in relief and incised. Hunter is wearing a coat with the hood down, and long pants tucked into tall boots. Seal body is on stomach with head bent over back, next to hunter's upper body; hunter is cutting open the seal with flensing knife in his right hand, and holding its right fore flipper in his left. Numerical inscription and 'Eskimo art' tag on base.