Daoist album leaf. Painting depicting Xu Xun and the lasting image of the perfected transcendent. A man in blue robes and two boys, one holding a red package, the other holding a sheathed sword, standing beside a river with a tree in the foreground and mountains in the background. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Gold painted Chinese calligraphy in six columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper. The text relates to Xu Xun and the depiction of the lasting image of the perfected transcendent.

Wide turquoise damask silk pants. The pants have a natural cotton waistband and navy cotton cuffs. The damask is woven containing floral and bamboo motifs. The inner lining is natural linen.

Pink skirt panels with pleats (part a-b). Across the top is a wide cotton waistband with one long tie and three frog closures. The pink damask is woven containing a flower motif. The panel consists of three pieces. The first piece and the bottom hem are edged with pale blue scalloped braid. The centre piece has tiny pleats. The inside is unlined.

Daoist album leaf. Painting depicting Xu Xun and his sense of equity deterring him from wrongful gain. A male figure in yellow and gold robes with a blue border stands pointing at an object with three legs. Standing with him is a man in blue robes, and two young men. They are standing on a grassy hill with a tree as well as blue and green rocky outcroppings. The background is composed of off-white and dark pink clouds, blue sky, and blue, green and grey mountains. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun selecting a scenic site for nestling perfection. Two men and two young men are standing together to one side of the painting with another man standing opposite, arms raised, outside a building on green grass with trees as well as blue and green rocky outcroppings. The background is composed of off-white and dark pink clouds, blue sky, as well as blue, green and grey mountains. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun seeking a master and taking up a study of the Way. Two male figures are seated inside a building with three young male figures standing to either side. One of the seated figures has his hands clasped, and the other is holding a piece of paper with text and has a cylindrical object beside him. The building is at the edge of a cliff with trees and green and blue rocky outcroppings. The painting is mounted on off-white damask-patterned silk on paper.

White robe with wide extended sleeves, side slits and side opening with ties. On the front and back is a square rank panel with lotus and wave motifs in gold and pink on turquoise ground. The collar, sleeve, side and hem borders have peony and vase motifs in pink, purple, yellow, blue and green. Inside the border is a thin band of prunus in blue and turquoise. There are tin reflections and white fur on the front, back and sleeves. The belt carriers have multicoloured bird, prunus and peony motifs on a turquoise ground stiffened with paper, wood and adhesive. The inside lining is natural coloured linen.

Daoist album leaf. Painting depicting Xu Xun using a talisman to keep Lake Po[yang] in check: a figure on a cliff above rough waters is holding an oblong object with his sword stuck in the ground in front of him and a building in the background, and to the side are two other figures wading in water holding a long rectangular object with geometirc markings while a figure in blue robes points a sword towards the water and another figure in pink with a sword on his back stands beside him. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and eight ropes binding the veins. A seated figure is flanked by two groups of warriors holding swords, there are several figures pulling on chain-like ropes attached to the base of a tall object with a rounded tip set inside a rectangular base, and six figures in pairs transporting lengths of chain-like rope on sticks with the roofs of three houses in the foreground and pink and off-white clouds set against a grey sky in the background. The painting is mounted on off-white damask-patterned silk on paper.