Daoist album leaf. Painting depicting a soaring curtain encircling the homestead. A green, red , pink, off-white and gold piece of fabric with two green ties floats in the air above several rooftops and trees nestled between green, blue and grey mountains. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting the augurs suffusing mountains and valleys. Several blue, green and grey mountains are depicted with off-white and pink cloudes between them and trees in the foreground. The painting is mounted on off-white damask-patterned silk on paper.

Pink silk jacket with mandarin collar, side slit and centre opening with brass frog closures. The collar, sleeves, sides and hem have purple and gold braid. The inside lining is natural-coloured linen.

Ecru robe with a round neck, tapered sleeves with hoof cuffs and a side opening with brass frog closures. There are slits in the centre front and back. The collar border has a gold peony motif on a red ground, edged with gold braid and pink trim. The cuffs have gold braid outside and black cotton lining inside. The robe lining is natural-coloured linen.

A headdress consisting of a rigid crown covered with blue cotton twill on the inside and red cotton on the outside. The outside is decorated with horizontal embroidered bands consisting of a pattern of red and blue diamond shapes. There is also a horizontal row of gold-coloured sequins, above which, there is a short horizontal row of silver-coloured flowers. Along the bottom edge, there is a red fringe. There are five vertical decorative elements consisting of a wool red, white, and green pompom at the top and dangling pendants of beads, tassels, bells, buttons, and shells. Another vertical element os a black cotton band with a cross stitch design which is attached across the inside of the crown and hangs down on the outside.

Black cotton jacket with white appliqué. The jacket has a standing collar, slender cuffed sleeves and centre opening with metal snap fasteners. The collar, cuffs and banding down the centre opening are white appliqué. The inside is unlined.

Daoist album leaf. Painting depicting the lingering evidence of transcendents in ascent. Two figures on a hill are reaching towards ths sky where the tips of ornaments on staffs can be seen amongst the clouds. Agricultural tools have been abandoned on the side of the hill and there are several mice or rats and black spots with an overturned container, an upright grey container and a red wheel floating in the sky to the other side of the image. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the uprooted household ascending in flight. Several male figures on a green hill with trees in the background are pictured looking upwards, some with arms raised, toward figures in the clouds. Some of the figures in the clouds are inside a building, others appear to be part of a procession. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the transcendent entourage descending in welcome. Three figures wearing red and gold robes with a blue border are each holding a green object and are floating on differently coloured and patterned carpets. They are surrounded by five groups of male figures and there are ornaments hanging from staffs, partially obscured by clouds in the background. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the celestial writ bestowing instruction. A figure in red, gold and blue robes is holding a piece of white paper with several male figures gathered around him, some of which are holding a tapering white object, and some of which are holding weapons. There are four female figures, each holding an ornament on a staff, standing behind a table with a yellow object sitting inside a red and gold piece of fabric with radiating undulating multicoloured lines. Seven male figures are kneeling facing a vase on a pedestal. There are ornaments haning from staffs in both the foreground and the background, partially hidden by clouds. The painting is mounted on off-white damask-patterned silk on paper.