Daoist album leaf. Painting depicting Xu Xun and proceeding in a boat, embraced by dragons. Two figures are standing in a boat with a dragon on either side. There are several blue and green mountains intersperced with clouds and with two waterfalls. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and cloud-borne cranes providing an auspice. A male figure in yelow and blue robes is standing at a table inside a building with a piece of paper and calligraphy tools and there are six other male figures gathered around the table. There are four male figures standing outside, and four cranes flying above the building against a background of billowy clouds. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the remaining wonder of the pine wall. A man in a light purple robe with a black border and blue belt is painting a pine tree branch on the wall of a building with three other figures around him, one is a young boy holding a dark grey rectangular object, another is a young boy serving a drink in a green cup. Four other figures are preparing several pots of tea and some food(?) inside the building, and another male figure is standing inside a small boat with a punt in his hands at the shore of a body of water. There is a tree set on a green and blue rocky outcrop in the foreground. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the setting up a of a retreat at Longcheng. A male figure dressed in light purple and gold robes with a blue border is holding up a red oblong object with a sword in his other hand. Beside him is a young man holding a green cup with a sword sheath on his back. A stream runs past the figures, and there are blue, green and grey mountains in the distance. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the drawing of a sword and disgorging of a spring. Seferal figures are shown collecting and carrying pails of water. At the centre is a male figure in light green and gold robes with a blue border dipping a staff into the stream with a young man holding a fan standing beside him. The figures are surrounded by blue and green hilss and trees. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the destruction and leaving asunder of an aberrant shrine. Five men, one of whom is holding a staff, are standing in a group in front of a male figure in off-white robes with a blue border who is pointing past a young man holding a sword to a burning building. The scene is framed by trees as well as blue and green rocky outcroppings, and there are clouds and a blue and green hill in the background. The painting is mounted on off-white damask-patterned silk on paper.

Pink cape with standing collar and centre opening with silk ties. The front and back have a gray stylized peony motif surrounded by black dots on pink ground. The collar has gray stylized peony motifs and black scalloped edges on pink ground. The borders down the centre and along the hem have black diamonds and triangles with a black scalloped edge. The inside lining is white cotton.

A hanging scroll painting of five main vertical lines of Chinese characters written in lacquer script in black ink on silk with two smaller vertical lines on the side, which includes the artist signature and his age. One red seal is on the top corner while two red seals are at the opposite bottom corner. The calligraphy has a cream-coloured border of patterned fabric. There is a semi-cylindrical rod at the top with a beige cord bound by metal wire and cream-coloured fabric with a brown cloth ribbon. There is a cylindrical rod weight at the bottom covered with blue, red, and yellow patterned fabric.

A hanging scroll painting of a landscape scene with mountains in the background and having houses, pine trees, and water forming the middle, and the foreground. Zig-zag water pattern flows from the high distant background into the foreground. One human figure is seen sailing in a junk in the middle ground. Predominant colours used are brown, green, and black. Four vertical lines of poetry are written in black on the upper right corner with one red seal and another red seal at the opposite corner. Dotted stroke technique. The painting has a cream-coloured border of patterned fabric. There is a semi-cylindrical rod at the top with a brown cord bound by metal wire and cream-coloured brown fabric with a dark blue ribbon. There is a cylindrical rod weight at the bottom covered with yellow, blue, and green patterned fabric.

A hanging scroll painting of a winter landscape scene with gnarled trees and a waterfall in the background. An elderly traveller wearing a hooded robe is carrying a staff. Predominant colours are black with some red and green. The painting has a cream-coloured border of patterned fabric with grey-green patterned fabric at the top and at the bottom. There is a semi-cylindrical rod at the top with a light brown cord bound by metal wire and brown fabric with a white cloth ribbon. There is a brown wood cylindrical rod weight at the bottom covered with grey-green patterned fabric.