Part of a tumbuan body mask/costume. Conical helmet like mask with a very long nose, agape mouth, protruding lower lip, and a woven fringe dividing front from back. Made of rattan woven over a wood frame, it is coated with a thin layer of clay. Has painted tear shapes around the eyes. Painted zigzags on the fringe, and feathers on the lip and nose tip.

Part of a tumbuan body mask/costume. Fibre mask, conical in shape with a sennit fringe around the bottom edge and outlining the central face. The entire body is painted with a faded white, black and red zigzag-like pattern. The face has a red triangular pattern outlined in black on a white ground. The eyes are black woven circles with holes in the middle; the red nose is woven and protrudes out with a long bundle of sennit hanging down from the tip. The brow consists of black bird skin while the painted forehead is lined with cassowary feathers and toped with a piece of cuscus skin. The inside is hollow.

Tumbuan body mask/costume. A tall conical fibre, woven mask with two faces. At the top is a bird-like face crowned with cuscus fur and cassowary feathers; it has a long, protruding beak with a large feathered tassel at the end. At the centre of the body is a black human head made of clay with inlaid shell eyes and decoration; the top has human hair and feathers. Above are open eyeholes for the wearer, on the sides are armholes. The mask is of woven rattan over a bamboo frame, painted with red and white stripes and other detailing.

A round pot, tapering to the neck, then flaring at the rim. Two handles are shaped like beaks, concentric discs above are eyes. At right angles are two features comprised of an eye above a u-shaped outline of raised clay. Below, running between the handles, is a line of sockets. Pigment is white and pink.

Tall human male figure with a rounded head, inflated stomach, prominent groin area, short arms and short legs. The head has an extra circle around it with small ear-like projections out each side, incised eyes and mouth. The figure is surrounded by birds. Extending over its head are two Byth’s hornbill heads which go up then the beaks point down. There are two other protruding bird heads appearing over the shoulder of the human. Between the legs of the human figure is another bird with its tail hanging down and its head facing upwards with its bird slightly ajar. All are painted in various stylized patterns in orange, yellow and white on a black ground. There is a necklace painted in white on the chest of the human figure.

Carved wooden yipwon (hook figure). Downward pointed hook shaped in the form of a human figure (part a). The figure is wearing a triangular shaped, flat headdress. The eyes are inlayed with cowrie shells, the nose projects slightly with a hollow septum, the mouth is small and incised while the chin is long and pointed. The body of the figure consists of opposed hooks encircling a central protrusion and two upward facing hooks appearing like human ribs. The frame hooks or back of the figure curves in slightly then ends with one human leg with a small foot and carved toes. The hook is stained black. Covering part of the figure’s head is a cassowary feather wig (part b) with skin that has been has been pierced in two places and fibre strands tied through.

Large wooden mask. Has a pointed brow with slanted oval eyes that have white rings for irises. Large beaked, inward curving nose which becomes part of the face. The eyes and the mouth areas are painted black with the remainder stained with red ochre. The mouth is very small and has an open u-shape. From ear to ear, there are small notched ridges from around the face. The whole mask is surrounded with grasses and other natural fibres. Eight holes hold grass ring to mask.

A dagger with a long, tapered, brown and black bone (human? or cassowary?) blade with a modelled red clay handle in the form of a human head. The face is painted black and white and is inlaid with a cowrie shell for each eye. It has a double headband made of cowrie shells and black curly human hair adhered to the 'head'.

An oblong-shaped mask in blackened wood with cut-out eyes and mouth. Two small bumps on the forehead. Large eyebrows. Top of the head, the upper lip, and the jaw areas have been plastered with red clay, and gum, painted over in black, inlaid with cowrie shells, and human hair, held in place with glue.

Yam mask made of tightly woven plant fibre around a stick frame with a large crest edged with feathers, a long, narrow, circular ridge as a nose, large bulbous eyes, and a small protruding oval mouth and tongue. The face of the mask is mostly an ochre red, while the lower portion around the mouth is black at the bottom with tan areas from the lower outside edge to the black. The nose is a tall ridge along the entire face down to the mouth, mostly red but with white along the edge and black in line with the face. The eyes are large white woven balls which protrude from either side of the nose ridge, with tan irises and small holes in the centre. The crest is roughly triangular with rounded edges rising to a point above the face, edged with soft white feathers with brown tips. The crest begins at the top of the face with a black triangle, outlined by widening stripes to create the shape of the crest. These stripes are: tan, then a red stripe made up of loops of basketry to create a fence-like appearance, then a white stripe, then a black stripe made of loops of basketry, and then a final tan stripe along the edge. The edge of the woven crest is tied with string to a stick that goes around the edge, the feathers are attached to the stick. The back and inside of the mask are unpainted plant fibre.