Wooden, oval-shaped plaque-like mask. Square hole carved at the bottom and wing-like attachments are on either side, tied to the main body with roots(?). Attachments painted black, on both sides, with crosshatching designs overtop. Primarily done in white with red strokes throughout. Main body painted red-orange, on both sides, with rows of design overtop. Rows have large white “X”’s with thin black ovals in between. Centres of X’s are painted red-orange. Plain black bands between rows, trimmed in white. On the front, the centre oval in the top row has a white chevron border. Above the oval is a sculpted head. Cheeks of face are unpainted, the nose is red, and there is a large black beard covering the bottom portion of the face. It has one thick black eyebrow with two small white eyes underneath. Figure is wearing a headdress(?). Headdress has a red cap with an upside down white triangle in its centre. Headdress extends into a large black circle with white stripes. Area around square hole, on both sides, is unpainted.

Cassowary bone dagger with a clay(?) head. The head is painted black and red, and has inset shells for eyes as well as smaller shells for designs. Pig tusk extends out from both sides of the figure's large nose. Each ear has two pieces of twisted plant fibre though it, and the head is adorned with a small amount of human hair and a fan of cassowary feathers.

Painted oval-shaped gable board with design carved in shallow relief. The negative space is filled with white or red pigment, and the raised design is black. The top of the board has a stylized face, with two carved-out spaces for eyes. The back is undecorated, has a raised area at the centre, and has mounting hardware at top.

Female ancestral figure of wood with exposed pointed breasts and female genitalia. Figure stands with arms down at side, and feet that are part of a rounded base. There is twisted fibre cord through her septum, ear holes, around neck and around the waist with longer fringe. The eyes are inset cowrie(?) shells. The figure has a second face on the back of the head which is very to the front. There is a small white square painted on the base.

Large mask of wood. The eyes are inlaid cowrie shells with painted designs extending out from a star-like centre. Large protruding nose has pig tusks extending out of each nostril, with a string of bird feathers attached on both sides. The forehead, nostrils and chin are decorated with red clay inlaid with small white shells. Long black cassowary feathers extend out of the top of the head. The jaw is lined with a fringe of plant fibre. The face is painted with concentric curved lines extending out from the eyes, and the ears are painted with stripes and have many holes in a vertical line. The back of the mask is painted black.

Mask made mainly of plant fibre and clay, bordered with dark feathers, decorated with shell and teeth. At the top, there is a head of coconut shell(?) with a long, curled nose and puckered lips of clay with pig teeth inset, and large shell pieces for eyes. The forehead is outlined by two rows of inset shells, and man large pieces of shells decorate the head. Below the face is a vertical line of shells, the largest at the top. The outer edge of the mask has a repeating design of two rows of small inset shells, spaced with a larger shell in between every other row. The back of the mask is an open framework of wood and woven plant fibres.

Carving of a fisherwoman. Painted figure stands on a thick round base, knees slightly bent, arms at sides. On her face is painted an intricate mask with cowrie shell eyes, thin ropes hanging from her orange ears, wrists and torso. A large white, brown and orange bird stands on top, pecking at her brow. Its wings are held close to its body. Artist’s signature painted on front of base.

Neck ornament. Twined plant fibre makes up the thick rope of the necklace, culminating at bottom in a small woven crocodile head with cowrie shells for eyes and an open mouth. Bright pigment colouring in black, red and orange. It is constructed around two curved tusks that emerge from the crocodile's neck and curl down below the mouth.

Mai mask. Carving of a face is oblong and narrow, with a pointed head, a ridge running down forehead, and a prominent nose with a curved nostril free-spanning the lower part of the face. Mask is painted in swirls, short rounded lines, and colour blocks in shades of brown and dark yellow, with white lime pigment in the eye and nose area. Short grass surrounds the jaw as a bushy beard. Shells are inset into mud as eyes and at the top of the head, from which sprout fine cassowary feathers. Plant fibre is looped through the top. Interior of mask is concave.

Mai mask. Carving of face is long and narrow, with a pointed head, a ridge running from forehead to nose, and a thick jaw area. A thin piece of shaped wood spans area from chin to bottom of mask. Face is painted in swirl and linear patterns in red, white and black. Jaw is covered in shells inset into mud, with layers of feathers and twisted plant fibre along chin and mask bottom. A collection of twine, feathers and grass is tied through a hole at top, creating a loop for hanging. Interior of mask is concave.