Tapa cloth with brown and black stamped designs on natural ground. The design alternates squares of two patterns: a large brown circle and black triangles. One end has a thick border of geometric and abstract motifs separated by brown lines. The edge is also cut in a toothed pattern.

A long wood squared beater with longitudinal reeded incised grooves on all four sides and a small rounded cylindrical handle that is decorated with spiral rows of dots. The top of each side angles toward the centre, creating four triangles forming a point with four equally spaced big ridges.

The point is rectangular in cross-section, creating a double pyramidal point carved with three cone shapes and rows of notches cut into all four of the edges, between fourteen and seventeen notches along the upper pyramidal portion and between six and eight along the lower pyramidal portion. The dark brown wood shaft is plain.

Tapa cloth that is natural in colour, long and narrow. There is a join in the middle where the two pieces were joined together. The cloth is undecorated.

Small, rectangular light brown tapa cloth made of beaten inner mulberry bark.

The cloth is natural coloured, narrow and tapered. Some of the wood grain lines are still visible.

The cloth is natural coloured, narrow and tapered. Some of the wood grain lines are still visible.

Small, rectangular light brown tapa cloth made of beaten inner mulberry bark; undecorated.

Plain shell with a hole in the end. The inscription on the convex side of the shell reads "Shell from the God Koroibo's (God of Hurricanes) Temple -Munia / Fiji".

Black and yellow rope holding a whale tooth. Hole drilled at each end of the tooth into which string is attached and tied to the twisted rope.