Devil costume mask. The mask (part a) is decorated with four sets of horns: one painted green, another is natural horn, another is painted red with a white tip, and another is white. The carved tongue hangs out. The eyes have slanted holes cutout so the wearer can see. The outer eye is painted with white dots. The teeth have blackened edges. A large jaguar with bloodshot eyes sticks out where the nose of the face would be. Two smaller jaguars stick out from the sides of the mask. An animal pelt (part b) (possibly deer skin) is attached to the back of the mask as a cape. The face is outlined with fake black fur. The interior is lined with padding and fabric, and a long orange cord is attached to eye hooks.

Round, deep bowl, unglazed and painted with a solid band of red, triangles inverted and natural, a scalloped band, and flower designs between the molded feet. The pot stands on three hand-molded, rounded legs.

Large painted ceramic pot decorated with birds and floral motifs. The pot stands on three curved hand-moulded feet and has similar handles. The pot curves out from the base and has a thinner neck and an upturned lip at the mouth.

Large painted ceramic pot decorated with birds and floral motifs. The pot stands on three curved hand-moulded feet and has similar handles. The pot curves out from the base and has a thinner neck and an upturned lip at the mouth.

Highly detailed drawing in black ink, on natural amate paper. Horizontal orientation on rectangular paper. The imagery depicts the migration of workers to the USA. The image covers almost the entire paper except for the outer border. Artist inscription below at left.

Highly detailed drawing in black ink, on natural amate paper. Vertical orientation on rectangular paper. The imagery depicts maize agriculture and tortilla production. The image covers almost the entire paper except for a thin border. Artist inscription below.

Very wide brown paper protest banner; horizontal orientation. Text and illustrations are divided into fifteen panels. The first panel has the title (farthest left), then the panels alternate between text and illustration until the end. Artist names and INAH inscription at farthest right end, lower corner.

Highly detailed drawing in black ink, on natural amate paper. Vertical orientation on rectangular paper. The imagery depicts tiered agricultural scenes. The image covers almost the entire paper except for the outer border. Artist inscription below.

Highly detailed drawing in black ink, on natural amate paper. Vertical orientation on rectangular paper. The imagery depicts scenes of political campaigning. The image covers almost the entire paper except for the outer border. Artist inscription below.

Highly detailed drawing in black ink, on natural amate paper. Horizontal orientation on rectangular paper. The imagery depicts the production of amate drawings. The image covers the entire paper to the edges. Artist inscription below.