This carving is more of a panel than a pipe because it lacks a bowl and any form of mouthpiece. The panel depicts a European and two bird-like creatures. In the centre of the panel is an architectural structure.; Good

This carving is more of a panel than a pipe because it lacks a bowl and any form of mouthpiece. The panel depicts a European on one side of an architectural structure with a dog (?) on the otherside. The structure is inlaid with bone. There is foliage and a tree represented on the panel.; Good

Possibly a fragment of a larger piece, this carving depicts a bird-like creature with overarching wings.; Good

Fragment of a panel pipe with two humanoid creatures, one with a killerwhale fin, and a bird.; Good

Functional carved argillite pipe with three figures. The pipe is asymmetrical.The uppermost figure is a woman with a labret and possibly face painting, she merges with a raven beak and feather design. Adjoining the beak is a bear cub (?) with a fish in its mouth. The pipe bowl is carved into a face , possibly European (Gillian Crowther).; Good

Carved pipe with figures and boat design. The figures are possibly European due to the considerable detail in the carving of clothes and hair (Gillian Crowther).; Good

Elaborately carved pipe with human and animal figures. One human figure is wearing a European frock coat. Uppermost animal figure has some characteristics of a beaver, e.g. large incisors and cross-hatched tail, yet these are subverted , i.e. the incisors protrude from the lower jaw, and the animal has two tails. Equally the other two figures are nonsensical when compared to crest designs (Gillian Crowther).; Good

Intricately carved panel pipe with interlocking animal and human characters. Very hard to accurately identify individual creatures.; Good

Elaborately carved stone pipe. Although the catalogue card states, representing human and animal figures , there are no such figures. Rather the representations appear to be of pulleys, rope, and blocks and tackle from a ship' s rigging (G.Crowther); Good

Commercially produced Robert Davidson print on a card in purple, red and pale blue on white background. It shows an eagle in profile, with outspread wings. The eagle is identifiable by the small downward curve at the end of the beak. At bottom, centre, is a design, with three tail feathers, which has the eagle' s claws in purple at either side. Each wing bears the design of a hand and a face in profile. Silkscreen prints are a recent development in Northwest Coast Native art, but they incorporate traditional design techniques and subject matter. The prints are often given away at potlatches as gifts from the host to the guests. Prints are also sold commercially to non-Native buyers. This card was designed by Robert Davidson, a Masset Haida artist. The design was taken from a silkscreen print, and used as an invitation to a Memorial Potlatch in Masset in memory of David Adams, 1988. The card was only produced for this purpose, and represents a form of potlatch print; Complete