FROM CARD: "PAINTED. ILLUS. IN THE FAR NORTH CATALOG, NAT. GALL. OF ART, 1973, P. 218. 20,807. LOANED TO THE NATIONAL GALLERY OF ART OCTOBER 20, 1972. RETURNED 5-29-73. LOANED TO THE S.I. CENTENNIAL COMM. 7-9-75. LOAN RETURNED FEB 8 1988.LOAN: CROSSROADS SEP 22 1988. ILLUS.: CROSSROADS OF CONTINENTS CATALOGUE; FIG.430, P.303. ILLUS.: HNDBK. N. AMER. IND., VOL. 7, NORTHWEST COAST, FIG. 7 LEFT, PG. 245. LOAN RETURNED: JAN 21 1993." Crossroads of Continents caption identifies this as: "Painted skin robe, Haida. The squatting semihuman beings painted on this fringed skin robe have toothed mouths, clawed hands, and pierced (or eyed) palms - features also seen in Eskimo and Tlingit art. The border design, probably a sea lion, is a bilaterally symmetrical split image of a single beast. Axial symmetry, also seen in the central figures, is an important principle in Northwest Coast and Old Bering Sea art. Skin robes of this type may have been the predecessors of the appliqued button blanket, their ornamented borders equivalent to the latter's red flannel, button-decorated borders."Anthropology catalogue ledger book identifies this object as Swan original # 51. List in accession file identifies #51 as "1 buckskin dancing shawl, Haidah Indian at Howkan village Prince of Wales Island [sic, Howkan is on Long Island] Alaska."

From card: "Cedar bark."Original label attached to artifact says "Jessie Matthews [presumably the maker or original owner?], Jackson, Alaska." Jackson is an alternate name for Howkan, Alaska, which is a Haida town.Listed on page 41 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes".

From card: "Refer: Collins' MS. p. 907."

From card: "Made of spruce and carved with totemic devices. The plaster cast by the side of each stick shows the figure carved thereon. [Plaster casts are # E73552-1].This game is played by any number of persons. A 'dealer' sits on the ground with a pile of shredded cedar-bark in front of him, and with much ceremony draws out the sticks one by one without looking at them, and passes them to the players in turn who sit in front of him. Each device counts a certain number, and the winning is by high or low or definite or specific amount"8 of the gambling sticks are illus. Pl. V, after p. 260, in the B.A.E. 24th Annual Report - Stewart Culin, "Games of the North American Indians" - (under incorrect catalogue # of 73522). The game is also described/discussed on pp. 260-263 of that publication and identified as stick game.This object is on loan to the Anchorage Museum at Rasmuson Center, from 2010 through 2027. E073552-0 whole set on loan. 18 gambling sticks and bag on display and 14 gambling sticks for storage in exhibition's Community Consultation Room. E073552-1 (cast) is not on loan.Source of the information below: Smithsonian Arctic Studies Center Alaska Native Collections: Sharing Knowledge website, by Aron Crowell, entry on this artifact http://alaska.si.edu/record.asp?id=607 , retrieved 8-12-2011: Gambling sticks Stick gambling, often for very high stakes, was a fast-paced contest between two men or as many as a dozen players on each side. Each man owned several sets of thirty to seventy polished sticks and switched them during play to better his luck. Most pieces had carved or painted designs, but several called jil (bait) were plain. The rules varied, but in basic play the dealer shuffled two or three handfuls of the sticks, including one jil, beneath a mound of shredded bark; his opponent then guessed which pile held the bait.Illus. Fig. 9.6, right, p. 151 in Yanicki, Gabriel & Ives, John. "Mobility, Exchange, and the Fluency of Games: Promontory in a Broader Sociodemographic Setting. " In Prehistoric games of North American Indians: Subarctic to Mesoamerica, ed. Barbara Voorhies. University of Utah Press, 2017, 139 - 162.

Two old museum tags with the artifact identify this canoe as "Nootka type." One of the two tags actually states "Canoe. Nootka Type. Boas." The second tag also notes "Parts missing."

Original label attached to artifact says "Janie Vandal [presumably the maker or original owner?], Jackson, Alaska." Jackson is an alternate name for Howkan, Alaska, which is a Haida town.

From card: "Large soft weave in colors; lugs of ticking; carrying cord, braided. Rolled up to be placed in grave."