Small, flat, square, embroidered, envelope-style bag, detailed with mirrors and pompoms, made by folding and stitching together three corners of a flat, square panel to form a pocket, with the fourth corner left open to serve as a flap or cover. The square-shaped embroidered motifs, formed from bars of satin stitch, are grouped together into larger squares, arranged in an X shape, and are outlined in black. Mirror-work is incorporated into the designs and along the edges of the square. The embroidery is so dense that it completely covers the background textile. The seams are embellished with decorative stitching. There are small pompoms scattered throughout the design. Two thin fibre strings are attached to the corner of the flap. The embroidery is underlined with multicoloured cotton gauze.

Rectangular, embroidered panel (woman's blouse-front -- unfinished) made of red cotton muslin, heavily embellished with designs worked in metallic and multicoloured threads, and combining two different styles of embroidery. In the centre of one end of the panel (the top of the blouse design) is a long, narrow, vertical, dagger-shaped section embellished with closely-spaced mirrors and large, circular whorls made of coiled silver, metal-wrapped thread, laid and couched with black thread. Parts of the designs are worked in chain stitch and elongated square chain stitch. Rows of metallic whorl motifs also embellish two rectangular shoulder panels and two square panels at chest level. Black thread is used for couching the silver thread in some of the whorls, while in others, yellow thread is used, giving the illusion that the silver metallic thread is gold. Portions of the design are unfinished or incomplete. At the other end of the panel (below the waist level of the blouse-front), the designs form an apron effect, decorated with scattered, multicoloured X-shaped motifs worked in satin stitch. There is a border of temple-shaped motifs, flowers and mirrors at the 3 edges of this “apron.” There are raw edges on all 4 sides of the panel, and there is no underlining. Four glass beads (3 opalescent, 1 green) are incorporate into the design, but do not contribute to the design scheme itself.

Small, flat, rectangular, multi-coloured pouch made by folding a long, narrow, embroidered panel in half crosswise and stitching up the long sides, leaving one narrow end open. The embroidery is so densely worked that almost none of the background textile is visible. The two sides of the pouch are almost identical in design and colour. Each side has a rectangular centre design panel embroidered with diamond shaped motifs outlined in black, some embellished with mirrors; the centre panel is outlined in dark yellow stitching, a row of mirrors interspersed with embroidered bars, and an edging of black “braid” made from dense bundles of black thread that are laid and couched at wide intervals. There is a pompom made of cotton thread at each corner. The pouch is lined with red printed cotton gauze.

Embroidered, rectangular textile panel, heavily stitched in soft colours with cotton and silk thread on red cotton fabric. Very little of the background textile shows through the dense stitching. The design consists of rows of large circles, separated by narrow bands of black and yellow diamond motifs. Mirrors are incorporated into the design motifs. Three edges of the rectangle are finished with five rows of multicoloured (teal, light blue, magenta, chartreuse, green) cotton binding (machine stitched). One long edge is raw, with the remnants of machine stitches where something has been removed. One end of the panel has a border motif of circles, mirrors and diamond shapes. The embroidery is underlined with scraps of multicoloured textile.

Small, square coverlet made from two layers of off-white cotton muslin, embroidered over the entire surface with closely-spaced, small running stitches in soft shades of pink, green, gray and orange cotton thread. A square section in the centre contains a scene with two human figures, a crane, a small bird, clouds, a fish and a butterfly. A wide border on all sides contains scattered figures of people, elephants, plants, trees, flowers, butterflies and fish. All motifs are outlined in black.

Small, flat, rectangular, multi-coloured pouch made by folding a long, narrow, embroidered panel in half crosswise and stitching up the long sides, leaving one narrow end open. The embroidery is so densely worked that almost none of the background textile is visible. The two sides of the pouch are similar in design and colour, but one side is more heavily embellished than the other. Each side has a rectangular centre design panel embroidered with diamond shaped geometric forms and mirror work; the central panel is surrounded by yellow, green and white motifs worked in detached interlacing stitch. The designs are bordered with rows of yellow square chain stitch and a black “braid” made from dense bundles of black thread that are laid and couched. A tassel made from thread is sewn at each corner. One red glass bead is sewn on one side, at the lower right of the design field. The pouch is lined with off-white cotton muslin.

Small, flat, rectangular, multi-coloured pouch made by folding a long, narrow embroidered panel in half crosswise and stitching up the long sides, leaving one narrow end open. The embroidery is so densely worked that almost none of the background textile is visible. The two sides of the pouch are almost identical in design and colour. Each side of the pouch has a rectangular centre design panel embroidered with diamond shaped motifs and mirrors, worked with multi-coloured thread, outlined with black, on red cotton muslin; the central panel is bordered with a row of mirrors that are outlined with metallic thread and set between rows of black “braid” made from dense bundles of black thread that are laid and couched. Closely-spaced, faded red pompoms are sewn into the side seams. At the open end of the pouch is a casing made from grey-green cotton fabric. The pouch is lined with dark green cotton fabric.

A square of red cotton muslin embroidered with bold, multicoloured, circular motifs and bordered on three sides by geometric figures. The main design field is divided into four quadrants, each containing a large mandala of concentric circles worked in stem stitch and interlacing stitch, with a mirror in the centre of each circle. In the middle of the design field is a slightly larger mandala with a more elaborate centre containing a number of small mirrors. There are small, circular mirrors and square embroidered motifs scattered in a regular pattern over the red background. The edges are bound with black cotton gauze on all four sides. The embroidery is not underlined.

Lavishly embroidered over-doorway hanging with bold, multicoloured designs on a predominantly red background. The hanging consists of a long, narrow, horizontal, central panel to which are attached seven small, U-shaped “pennants” that are arranged side-by-side along the lower edge. The designs on the central panel are alternating flower and parrot motifs, worked in chain stitch; at the right-hand end of this panel, there is a narrow band of red cotton textile, embellished with interlacing stitch, that does not match the rest of the panel in design or colouration. The pennants are embroidered with floral motifs in chain stitch on red or black cotton textile; the designs on the pennants are very similar to one another, but differ in colouration. All edges are bound with three (sometimes four) strips of black, yellow, green and/or red cotton binding. Tassels made of bundles of cloth scraps are sewn at intervals along the top and side edges and at the bottom of each pennant. The various components of the hanging are underlined with scraps of printed cotton gauze. Loops of braided fibre are sewn on the top corners.

Large, square, embroidered wall hanging, featuring multicoloured representations of the elephant-headed god Ganesh, female human figures, birds, rats and flowers, worked in chain stitch with multicoloured silk or rayon thread on cotton muslin. A large, square field of dark brown muslin in the centre of the piece is divided roughly into four quadrants, each containing an identical scene of Ganesh seated under an umbrella, within a shrine, and attended by two women bearing flowers, several birds and a rat. In the centre of this field is a decorative strip of various designs, representing women, male figures mounted on horseback, peacocks and mandalas or sun symbols. There is a 3-tiered border (18.5 cm) of red muslin, embroidered with flowers, triangles and wavy lines, surrounding the main design field on all four sides. The hanging is underlined with dark brown cotton muslin. Loops made from brown cotton textile are sewn on at all four corners. Some of the block-printed embroidery guidelines are still visible.