Long sleeved shirt made of unbleached cotton. Sleeve cuffs are lined on the interior with dark blue silk. Front is open, with a short, standing collar. Three closely stitched lines the same colour as the fabric sit close together at the bottom. Fringe hangs from the unhemmed bottom of the shirt’s torso. Side slits are lined with bright red fabric.

Long sleeved jacket made from woven dark red fabric. The front is open, with a short standing collar. Front and back below the shoulders on chest are woven with human and animal figures divided by lines of dots. Below this are circular motifs filled with lines and dots, divided by yellow triangular designs. The bottom hem is finished with a thick fringe. Short side slits are edged in shiny tan fabric and lined on interior with blue.

Sleeveless dress made from a dark red woven fabric. Vertical lines of white and light green are woven into the fabric, dense at centre, widely spaced toward the edges. There's a line of embroidery near the bottom in a multicoloured triangular motif. The garment is wide and rectangular in shape, with arm holes on the top edges. The skirt part is made up of 4 pieces of fabric sewn together. The neck opening is a short ‘v’, front and back, edged with shiny light grey fabric. The tunic is unlined.

Rectangular woven shawl. The centre section of the shawl is light brown and has a design of alternating green and purple thick lines. The light brown centre has a border made up of two lines with small triangles between them. On either end of the shawl there are identical designs. The designs are made up of different arrangements of lines and triangles in various colours.

Brown, wooden suspension hook made from four upward curving 'branches', the ends of which are carved into four horse heads. The necks of the horse’s heads are decorated with chiseled parallel grooves. From the mouth of each of the four horse heads there are carved knobs suspended. There is also another set of knobs attached lower down on the horses' necks. The bottom end of these four horse head branches are inserted into the lower end of a central carved vertical pole, into a carved square box shape and are arranged so that they are diametrically opposite each other. At the end of the box there is a projection onto which is attached a wooden knob. The middle section of the hook is comprised of four twisted columns that meet at a mid-point in a carved knot design. The top of the hook is a carved wooden disc where seven carved wooden knobs are attached. The knobs are the same as those found in the horses’ mouth and on the horses’ neck. An iron ring is attached to the disc that is used to suspend the hook.

Large, square, red veil. On two edges of the veil there is a thick black border. Inside this border, there is a second border that encloses a red square. This border is a red design with wavy lines, straight lines, triangles and dots. The centre of the veil is a red square, and within that square there are four small circles surrounding one large circle. These circles are black with a red design in the centre of each of the circles. These designs are of a similar style to the design that borders the red square.

Brass betel nut cutter with two scissor-like hinged components, cast in a 'maithun' couple motif. One component is in the shape of a man and the other a woman. The figures face each other, the male figure has a blade-like section down his front which fits into a narrow opening down the front of the female body. One leg extends down from the bottom of each body, allowing for opening and closing the cutter.

Brass betel nut cutter with two scissor-like hinged components. The main piece of the cutter is shaped and carved to resemble a peacock with its head turned over its back so that its beak touches its feathers, a blade-like section below its body, and a long extended handle portion representing the tail. The lower hinged component has a flat section that corresponds to the blade-like portion on the main component, and an extended handle in a shape echoing that of the main component. These extensions allow for opening and closing the cutter.

Swallowtail-shaped, embroidered fabric panel. The base fabric of this is light white-brown cotton with course cotton lining of the same colour. There is dark blue piping across the entire top and outer edges of the hanging, and the inner edge (under which you would walk) is rimmed with alternating yellow, red, blue and green ruffles. Around the edge of the hanging on the inside of the piping and ruffles there are embroidered flowers on a vine in varying colours, the most predominant of which are red, green, blue, and yellow. The middle of each flower is a contrasting or opposite colour to the petals and the centre of the flower is a smaller circle in either the colour of the petals or a third contrasting colour. The flowers are done in a herringbone or chain stitch. There are many figures depicted on the hanging including elephants, peacocks, horses, deer, cows, flower pots bursting with flowers, swastika sun symbols, mango fruits, the Sanskrit letter “Aum”, the Monkey god Hanuman, the goddess of wealth Lakshmi, Lord Krishna and his consort Radha and in the centre is the Hindu elephant god Ganesh.

Short sleeve, backless embroidered blouse with long front panel. Predominantly bright pink with multi-coloured embroidery, the central embroidered designs on the blouse are in the shape of cowrie shells. There are two square designs embroidered over the breasts. Within the square designs are smaller embroidered squares and appliqué circular mirrors. There are also cotton puffs with beads on the top in both of the squares, as well as throughout the entire design. The bottom half of the blouse has a ‘U’ shape embroidered design which includes the cowrie shell technique, rectangles with appliqué mirrors in the centre and cotton puffs. There is also a flower motif embroidered on the inside edge of the ‘U’ shape. On the sleeves of the blouse there is a shield pattern with a flower whorl embroidered in the centre of the shield. Around the shield are several cotton puffs also with beads on top. Around the outer edge of the blouse there is a coloured pattern that includes triangles embroidered from both coloured cotton thread and gold thread. To finish off the edge of the blouse there is a multi-coloured stripe. On the bottom of the blouse, in both corners and in the centre, are small tassels with shells and a cotton puff. On the back of the sleeves there is a darker multi-coloured material.