Large wooden batik textile stamp. The base of the stamp is carved into two lines of four repeating patterns, showing an intricate design of a large oblong flower in the centre surrounded by foliage, and an enclosed border of vines. The top and bottom of the stamp have two straight lines of small dots. The stamp is made out of a thick piece of rectangular wood, with a wide rectangular handle on the centre back attached by nails. The piece shows traces of red dye on its base, sides and handle.

Small lime bottle with elaborate lid. The bottle (part a) is cylindrical, with a thick, round base and a flaring lip. The middle portion is light brown wood with a delicately incised decoration in patterns of triangles, circles, waves and lines. The lid (part b) is round and fits snuggly into the mouth of the bottle. It holds a carving of a horse being ridden by a man, with a smaller man crouched on his head. A snake balances on top of the smaller man, its body hanging straight down to where it merges into the horse.

Long narrow cloth with numerous coins attached at the bottom. Cloth is a light yellow-brown colour, with horizontal stripes dyed in black, green, yellow, blue, green and red on its lower portion. Beneath these are coins attached to thread, dangling from the bottom of the textile, 53 in all. Each coin is round with a square hole in the centre through which the thread is attached. The coins have Chinese(?) characters imprinted on them.

Container made of a gourd, rounded and oblong with a relatively wide, round foot. The gourd is covered with basketry, which is itself covered in a thick dark substance. The wooden lid (part b) is carved into 4 creatures, the top being a man with a long head and face, topped by a cylindrical hat. He sits on a horse with a stylized human face. The horse balances on a smaller two legged creature, also with a human-like face, who in turn balances on an even smaller creature with a human-like face, smiling. Beneath the four is the small, round lid and stopper that fits into the mouth of the container. The lid is partly covered by a shiny substance.

Small lime bottle with a small stopper carved into a head. The bottle is made of bone, hollowed on the inside. The mouth of the bottle is oblong in shape, sitting slightly off centre. The bottle widens toward the base. The body is decorated with small incised triangles that make up a repeating figurative motif. Part ‘b’ is the bottle stopper or lid, carved into the shape of a human head and neck. The forehead is long, nose and ears prominent. The eyes are lightly carved circles, and the mouth a carved line. A small tuft if hair is carved into the top of the head. A hole is bored through the neck and filled with a small red bead at back. The surface is shiny.

Small cylindrical container (for tobacco?). The body is tall and narrow, delicately and densely carved in encircling patterns of triangles, swirls, leaves, and geometric and liner designs, in a dark brown colour. Both bottom and top of cylinder are painted a dark reddish brown, with a lacquered shine. The inside is hollow with thin walls. The lid has a round bottom that fits snuggly inside the cylinder, with a top that protrudes beyond the rim and a small round handle at centre top. Small triangles are carved into the outer edge of the lid.

Baby carrier, heavily decorated with beads, shells, claws, etc. all across the front surface. The base is a flat piece of undecorated wood attached to the rounded back piece by fibre strands. The back piece is covered with woven plant fibre in shades of brown, with a large, heavily beaded flap attached at centre, showing animal and plant figures. Across the flap are attached large claws also partially beaded. Large, round, flat shells are attached to the side and top of the back piece with tassels of beads and cowrie shells at the top corners. A beaded band tops the carrier, with small metal decorations hanging from it. The interior of the carrier is covered with red fabric, and two braided fibre straps are attached to the top corners. 19-5-75 is carved into the wooden seat.

Sacred cloth. Long rectangular weft ikat. The large centre portion has a diamond pattern in red, white and grey. At each end are stripes of the same pattern interspersed with panels of bright red and thin lines of white.

Carved and painted wooden figure. Pair with 2903/55; together the pair is a traditional wedding couple known as Loro Blonyo. This figure is the male, who wears a round gold and black hat with a pointed gold knob on top of it which sits just above his ears. The figure has two ears on each side: the top portion of the ear is very pointy and rests on a more human lower ear. His eyebrows and pupils are painted black. There is a round black bun on the back of his head. The man’s skin is yellow. He wears a blue jacket with wide lapels. The buttons and other detailing on the jacket are painted gold. His hands rest on his thighs. His lower body is enveloped in a red skirt with an incised pattern. The form and position of his lower body is obscured by the skirt but he appears to be in a seated position. There is a hole on the bottom of the object suggesting it is hollow.

Carved and painted wooden figure. Pair with 2903/56; together the pair is a traditional wedding couple known as Loro Blonyo. This figure is the female; her black hair is pulled back into a large bun and she wears a gold piece of jewelry in her hair. She also wears gold earrings and a gold necklace. The necklace is large and is a half-moon shape. Her skin is yellow. The woman’s eyebrows and pupils are painted black. Her coat is blue with three gold buttons in the front and gold arm bands. Her hands rest on her thighs. The woman’s legs are enveloped in a red skirt which obscures her legs from view, but she appears to be sitting. The object is very light weight with two holes in the bottom of the woman’s skirt, suggesting the object is hollow.