Panakawan (clown) puppet named Gareng. The head (part a) has a large lump on the back of the neck, below a fringe of black hair and a bald scalp. Painted between the blue eyes are expression lines, above a large hooked nose. The mouth is open and smiling, revealing a single white tooth. The torso (part b) is clothed in village style dress, with a short sleeved plaid shirt and a long checked sarong. The sarong hides a removable wooden stick (part c) that extends through the torso to control the movement of the head and connects the figure to its wooden base (part d). The arms are moveable at the shoulder and elbow by wooden sticks attached to each black gloved hand.

Three dimensional puppet. The woman’s head (part a) has a green painted face, with eyes that gaze upwards under curved brows. The hair is pulled back from her face and decorated with a triangular, blue headdress and carved gold embellishments. A long sleeved tunic covers the torso (part b), beneath which is a long patterned skirt hiding a removable wooden stick (part c) which controls the movement of the head and connects the figure to its cork base (part d) which is painted black . The arms are moveable at shoulder and elbow by wooden sticks attached to each hand, which are painted gold.

Three dimensional wood and fabric puppet representing a grandfather. The head (part a) has a white painted face with finely carved and painted features, including wrinkles across the forehead and around the mouth. The mouth is open, showing 2 large teeth, and is surrounded by a moustache and beard. Ears and nose are protruding. The head is topped by a round black cap and hair is gathered at the back. The torso (part b) is covered with a long sleeved tunic and a yellow sarong, which covers a removable wooden stick (part c) that controls the movement of the head and connects the figure to its cork base (part d). The arms are moveable at shoulder and elbow by wooden sticks attached to each hand. Hands are painted red.

A shadow puppet in the shape of a tiger (Hari Mau kulit). The puppet is painted both front and back in brown with black tiger stripes. The mouth is open, showing large bared gold teeth and red gums. The eyes are heavily lidded, and have pronounced lashes. The features of the face- eyes, mouth, nostrils and jaw, are emphasized by close-set piercings through the leather. The figure crouches in a pounce position, with long, splayed gold claws on front and back feet.

Mask of a man’s face, with most features and lines carved rather than solely painted. Textured hair has been carved into the top and sides of the mask and painted white. White animal hair, still attached to hide, has been used to create the eyebrows and moustache. Wrinkles have been carved into the face on forehead, cheeks and chin and surrounding the eyes, and have been emphasized with black paint. Under the painted pupils, narrow eyeholes have been bored through the wood. The protruding nose has two nostril holes bored through as well, and there is an air hole through the mouth, between the lips. Two small holes have been bored on each side of the mask at the edges. The interior of the mask is concave.

Mask of a man’s face, with all features carved rather than solely painted. Black wavy hair surrounds a headdress carved with flowers and line patterns, painted bronze. Thick black eyebrows sit above large round eyes with bored eyeholes under the pupils. Below a pronounced forehead crease is a large protruding nose with two nostril holes bored through the wood. The mouth is open to show a row of white teeth and to either side is a curling moustache. Two small holes are bored through the sides of the mask at the edges, and one at the top centre. The interior of the mask is concave and painted brown.

Rod puppet named Rama. The head (part a) has a white face with black painted eyes and brows and a red smiling mouth. Pompoms hang from above each ear. Long, luxuriantly curled black hair is topped by a high, elaborate, multicoloured headdress. The gold torso (part b) is partially covered by a beaded, red velvet bib, with a matching apron falling from the waist. Pink satiny flaps hang from the sides of the apron. A long sarong hides a wooden stick (part c) that extends up through the torso and into the puppet’s head to control its movement. The arms are moveable at shoulder and elbow by wooden sticks attached to each hand.

Wooden mask of a woman’s face, with all features carved rather than solely painted. Black wavy hair surrounds a small, intricately carved, floral motif headdress painted bronze. Thin brows sweep over eye holes emphasized with black paint. A wide protruding nose has 2 nostril holes bored through the wood over a wide, thin lipped red mouth, turning down at the edges, open and containing even white teeth. Two holes are bored through the sides of the mask at the edges, and one at the top centre. The interior of the mask is concave and painted brown. Main colours are yellow, black, bronze, red and brown.

Three cut fragments of a ceremonial wrap skirt made of silk, with purple and red dyes. Two of the fragments are ends (b,c) with a thick red border along one edge; the larger fragment is from the centre. The design is a weft ikat resist technique (known as endek).

Shoulder cloth (selendang) made with warp ikat technique. Stylized crocodile, hook and lozenge geometric pattern in pink, turquoise and black decorates the central beige section which is bordered with alternating red, black and beige stripes. The short edges are unfinished and fringed.