Gunungan (mountain) or kayon (tree of life) wayang kulit (shadow puppet) from Ramayana series. Flat shadow puppet cut from hide. Spade-shaped. Side one: a gold tree extending up to the point. The tree branches are filled with monkeys of various colours, peacock feathers, and birds. A large snake is wrapped around the trunk, and at the base a bull and tiger face one another. The lower section depicts a covered entrance gate with ornate roof and yellow pillars. Large Garuda(?) heads with ornate crowns flank both sides, and two crouched figure of the twin giants Cingkara bala(?) and bala Upata(?) with shields and swords. Side two: A background of fire, with bright yellow, orange and red flames extending up to the point. A large depiction of Garuda's blue face with large open mouth, fangs exposed and tongue extended, and five shorter spikes of purples extending up from the brow. The lower section has five shades from white to black. Operated by one central horn rod.

Sita (Rama's wife) wayang kulit (shadow puppet) from Ramayana series. Flat shadow puppet cut from hide, with long arms jointed with pins at the shoulders and elbows. She has long black hair which extends down her back. She wears a short ornate dress. The tips of the thumb and index are held together, while keeping the other fingers straight (Mudra). Operated by three horn rods.

Long rectangular textile with twenty-one squares of batik patterns or motifs, divided by navy blue bands. Each section is labeled with a name: Romogandrung, Parangsisik, Merakemas, Larasdrijo, Sokorini, Parangkusumo, Semenredjo, Parangbolodewo, Kestubo, Sidomukti, Parangtemplek, Gringsingbintang, Kladukmanis, Uretmanglar, Tjuirilombok, Udanriris, Kudotilarso, Semensawatgurdo, Sidoluhur, Parangbarong, Tjeplokketeblem.

Long rectangular finely woven textile. The background is black, with dark blue lines creating a subtle diamond pattern with five white dots where the lines cross. The motif features large flowers of various shapes, long fern-like leaves, and repeating small stars in brown, white and yellow. Both ends have a small band in gold. Small tag attached top right, 'B.E. BUSANA EDI'. Small, partially illegible stamp top left. Three small sticker labels adhered to textile.

Ikat textile with repeating pattern and centre seam down length. Matching pieces of brown weaving with yellow-brown, reddish-brown and black patterning - possibly depicting shrimp, birds, seahorses, lobsters and other creatures - and, divided by a large section of reddish brown across the centre with repeating designs. The two pieces are stitched together, creating a large textile with a centre seam down the length. The textile tapers in at each end, where it is sewn to a woven band, which then extends into dark brown fringe.

Painting on thin canvas. Vertical panel bordered by finely inked spade-like shapes on a solid yellow-brown background, and separated from the body by a solid red line. At top, four figures with round eyes and tails, possibly including Hanuman and Vali, appear surrounding a tree. Below, three figures surround another tree. One of the figures appears to be repeated in both the upper portion and lower portion of the panel.

Painting on thin canvas. Horizontal panel bordered by finely inked spade-like shapes on a solid light yellow background, and separated from the body by a solid red line. The panel has two rows of figures across it. The bottom right corner appears to have three women in front of a tree with Shiva(?). There are three demons(?) figures, with wide round eyes, in each upper corner, and a male figure at centre below a tree.

Painting on thin canvas. Vertical panel bordered by finely inked spade-like shapes on a solid yellow-brown background, and separated from the body by a solid red line. At top, a demon(?) figure and another figure are standing under a rain cloud, with a broken arrow above their heads. Below, three figures surround a tree. One of the figures appears to be shown in both the upper portion and lower portion of the panel.

Long knife (part a), with a small knife (pisau raut; part b), and scabbard (part c). The knife blade is convex on one side and slightly concave on the other side, and is decorated with inlaid brass in a series of circles and vines. The blade itself gets gradually wider and then tapers in forming a point in line with the cutting edge. The grip is wrapped with finely woven fibre. The hilt of horn is elaborately carved, with red pigment in the lines, and has two drilled holes for an attachment. The whittling knife (part b) has a small curved blade of steel, with a brass cap marked with illegible text. The shaft is of a dark brown wood which transitions into alternating rings of horn and wood. The slightly curved hilt is elaborately carved. The scabbard is composed of a wood sheath for the sword, and an attached bark sheath for the knife. The wood sheath is composed of two pieces of wood, bound together by woven plant fibre and animal skin. The locket(?) is ornately carved. There is a long carrying strap of plaited plant fibre, and an ornament of shell and thin tassels with beads of pink, blue, green, red and yellow.

Shadow puppet of a 2 dimensional human-like figure riding a large mythical bird. The golden skinned figure has a black face with red markings, and long curling black hair. He wears an elaborate, colourful headdress and a robe around his shoulders that falls to his feet. Bracelets adorn wrists and ankles. In front of the figure sits a small green lizard. The bird Garuda has long blue feathers making up tail and wings, and small, delicate brown feathers on the chest. The eyes are red and staring, and a long snout displays many sharp white teeth. It stands on grey birdlike feet on floral grounding. The leather of the puppet is pierced with patterns of lines, holes and curlicues, which allow light to shine through. The whole is held up by a horn handle attached to the leather with fibre. The puppet is painted identically on both front and back.