Pair of salt and pepper shakers with twist lids. Both shakers have rectangular bases with rounded sides that taper to lipped, circular openings; small triangles carved into lips for lids to screw into. Both lids have 12 holes drilled into their tops, and small protrusions on their bottom inner edges, for securing the lid to the shaker. One shaker (part a) has three lines carved close together down the left and right sides, forming sharp ridges; three lines carved down front and back, forming wide ridges. Lid of shaker (part b) is a two-headed walrus, with the faces looking in opposite directions; three diagonal lines carved into either side of lid. Walruses have finely carved tusks, and pouting mouths; nostrils, eyes, and whispers done with black pigment. Second shaker (part c) has repeating zigzags carved around all sides of body; two angled lines carved into front and back, forming deep channels. Lid (part d) is a two-headed bear, with the faces looking in opposite directions; three diagonal lines carved into either side of lid. Bears have long snouts, small rounded ears, and a line incised around the outer edge of their face; eyes, nose, and mouth done with black pigment.

Hat pin consisting of a front plaque (part a) and separate pin, broken in half (parts b-c). Plaque depicts a bear confronting a walrus; both done in profile. Bear has a small protruding ear, black inlay eye, and fangs bared. Walrus is depicted from the chest up, with its head tilted back; has black inlay eye and jutting tusk. Base of plaque is a thin rectangle with the owner's name, Susan (suusaa), carved in syllabics across entire length; characters filled with black pigment. Back of plaque has two rounded ridges with holes drilled into them; pin would insert into holes to secure hat pin. The separate pin has a square-like head (part b) that tapers to a point (part c).

Hat pin made up of a decorative front plaque, with two rounded ridges on the back; holes drilled into the ridges, for a pin to be secured through. Plaque depicts two small bears on either side of an igloo. Bears are carved in profile, each with a small protruding ear, black inlay eye, and with their fangs bared; black pigment around paws of bears. The igloo has a cutout for the door and a small cylinder protruding from the top centre; incisions for ice blocks filled with black pigment. Base of plaque is a thin rectangle with the owner's name, Susan (suusaa), carved in syllabics across entire length; characters filled with black pigment.

Hat pin consisting of a front plaque (part a) and separate pin (part b). Plaque depicts a bear, on all fours, eating a seal. Bear is carved in profile, with a small protruding ear, and black inlay eye. Upper half of seal's body is hanging out of bear's mouth; circular cutouts for eyes. Base of plaque is a thin rectangle with the owner's name, Doug (umialu), carved in syllabics across entire length; characters filled with black pigment. Back of plaque has two rounded ridges with holes drilled into them; pin fits into holes to secure hat pin. The separate pin has a square-like head that tapers to a point.

Hat pin made up of a decorative front plaque, with two rounded ridges on the back; holes drilled into the ridges, for a pin to be secured through. Plaque depicts a bear, on all fours, with a seal in its mouth. Both are done in profile with black inlay eyes; bear has a small protruding ear, seal has a fin. Seal's face is in bear's mouth, with body turned away, and back curved outward. Base of plaque is a thin rectangle with the owner's name, Audrey (atuuri), carved in syllabics across entire length; characters filled with black pigment.

Woven belt with bone attachments. Wide belt is made in a tight basket weave from thin strips of light and dark brown leather. Buckle is made of two pieces of bone, smoothly carved into rectangles, with a prong nailed to one that fits into a tube joint in the other. Several figures are etched into the bone, including a hunter and a woman in lightweight clothing, and tools such as an oil lamp, ulu, and chopper, among others. Back of belt has similar pieces attached, with images including a walrus and person paddling a boat. Two small undecorated buttons and a long undecorated loop are also attached to the back. Many of the images are accompanied by small Inuktitut syllabics.

Sealskin pouch. Small bag is rounded on bottom with a flap covering the opening at top. No handles are present. Bag is made from light brown leather with dark brown piping at the edges, and circular and square patches of the same set at regular intervals on front and edge for decoration. A curved piece of bone, flattened on front surface, serves as a handle for the flap and is etched and painted with the silhouette of a seal. A tie is attached to two of the decorative circles on the front, which loops over the bone to hold the pouch closed.

Two model harpoons, lashed together in a cross-shape with a leather thong. Each has a wood handle, squared and thick at top, narrowing toward bottom where the larger one is capped by a small rounded piece of antler. The tops of each hold a pointed rod of tusk attached to the handle by strips of leather that pierce the wood and antler, and are tied off along the shaft. The thongs attaching the harpoons hold small projectile points, one of metal set in antler, the other with both point and body carved of antler.

Small container carved from tusk. Container is an elongated hexagon, tall, with a crenellated rim. Interior narrows toward bottom, following the line of the tusk’s pulp cavity. The front is engraved with an igloo below Inuktitut syllabics, while on the back is a stone lamp(?), also with syllabics. Both images are emphasized with black, while syllabics are in-painted with red. A channel is carved around the exterior at the bottom, to create the illusion of a base.

Small stone sculpture of mother and baby. Woman is seated with one leg bent beneath her, the other stretched in front. She wears a large parka with hood draped around her neck and shoulders. In her arms she holds a nursing child, its legs extended over her bent leg. The mother’s facial features and ears are defined, as are her hands which are placed on the child’s back.