Circular lamp with protruding spout and circular hole at centre. Top is decorated with a ring in relief around central hole and three solid lugs spaced equally around the edge. Base has two incised rings around the centre and the maker's name in relief.

Deep bowl narrowing at foot with small flared base, two horizontal handles on each side high on body, surface primarily in black glaze with reserved band on foot, underside of base reserved. Further decoration on rear at level of handles consisting of oblique dashes in white between which are two incised lines. Front has a more complex decoration consisting of an incised line below rim under which is a tongue pattern in white followed by two incised lines, a wave pattern in white and two more incised lines. Below this is a band of dots followed by a thick red line, suspended from this are three clusters of grapes in yellowish white, two grape leaves and four tendrils.

Bronze cup with a flat base; pear-shaped body widens markedly toward top; no neck; flat, everted rim; flat, narrow ribbon handle rises well above level of mouth and is attached to rim and lower portion of body. Base badly corroded.

Bronze oinochoe with a flat, slightly raised ring base. Neck is separated from body by a marked shoulder. Short, narrow neck; large, flaring trefoil mouth. Large, narrow, concave handle curves inwards above rim before falling vertically to shoulder; terminates at base.

Jar made of grey-white, coarse-grained clay. Blue-green thick, glaze covers entire surface. Flat base, cylindrical shaped body, turns inwards only slightly leaving a wide-mouthed vessel with a flat rim, separated from the body only by a shallow groove. Near the top of wall are two small pierced lugs. A vertical band in relief decorated with three grooves is situated under each lug. Surface badly worn and gouged.

Apulian black-figure style cup (kantharos) made of light brown, grainy clay. Hard-fired with thin black matt paint. Ring foot, rounded body below carination, which occurs approximately at mid-point, straight-walled above; flat everted rim. Two flat strap handles attached at rim and carination; rises above rim. Decoration consists of bands of paint on foot and rim; on one side a scene of combat with two warriors wearing knee-length tunics; behind them, two trident-like objects; cursory, stylized rendering. On the other side, two roosters facing one another across a lotus bud.

Apulian hydria. Red fine-grained body, dark brown wash; light brown, dark brown, brown/black, yellow, and white paint. Pedestal base. Flat foot; ovoid body with sloping shoulder and two horizontal handles; chimney neck with large everted rim, one vertical handle, neck to rim. Decoration: tongue pattern, lip and handles; palmette and laurel wreath with white berries. Main scene depicts bringing offerings to the tomb; draped female figures, holding a tambourine and a situla (basket), respectively, are shown on either side of a broad funerary stelae. Cracks cover body of jar as it has been reconstructed from fragments.

Jug made of light brown, very fine-grained clay. Red wash and black lustrous paint. Very articulated form imitating metal work. Flat base with one shallow groove on underside. Wide tubular lower portion with domed cap with protruding flat ledge, tall narrow neck, long curving spout, tall vertical handle rising above top of vessel. Base, lower portion of body, most of neck, spout and handle are solidly black. On domed top is a reclining female figure, wearing long chiton and jeweled collar. Hair is gathered into a large knot on top of head and partially covered with a headband. Left arm is extended behind her. Right arm is held in front of her with a metal bowl in right hand. Subsidiary decoration consists of a palmette at base of handle, stylized lotus blossoms on domed area and one floral decoration in white paint on tubular portion of body.

Lekythos vessel in fine-grained, light orange-buff clay. Black semi-lustrous glaze and red-brown and white thin matt paint. Low, plain ring foot, squat ovoid body narrowing towards top, short, very narrow neck, large trumpet mouth, vertical ribbon handle from neck to upper part of body. Background is black-glazed, mottled to red on mouth, black, vertical uneven strokes on neck, large palmette under handle, half-palmettes on body frame a female head in profile. Thick curly hair rendered in black is partially covered by a head-scarf. White dots on neck, ears, and in hair to indicate pearls. Facial details added in red-brown and black paint. Style is cursive and impressionistic.

Light green, translucent glass bottle. The bottle is double-chambered and tear-shaped with an inverted v handle formed into two ornamental handles, flanking the chambers, that attach at the lip, slightly below the lip, and further down the chamber. The bottom is thick and slightly flat.