Rectangular, multicoloured woodblock print. Print is of women in new year’s fashion dresses. One woman sits in front of a small orange-black chest and paints her lips. Another woman stands behind her combing her hair. Another woman looks on from the side. All three women wear red patterned kimonos.

Rectangular, multicoloured woodcut print. Print is of a woman beating cloth on a fulling block (an apparatus for softening newly woven silk). She is seated before the fulling block, holding two wooden mallets. She is looking back over her shoulder at a crawling child, pulling on her robes. In the background is a landscape.

Rectangular, multicoloured woodcut print. Print is of a woman and a man. She is looking over her shoulder away from him. He rests a hand on her other shoulder. A young girl stands at the other side of the man. In the background are benches and a stand with an awning.

Vertical triangular prism in shape; painted scenes on the sides; bordered in dark blue with gold edges; gold shoulders; no neck.

Gilded bowl with three vignettes on inside: six figures dressed in kimonos with a building and mountains in the background inside a floral shape; flowers inside a rectangular shape; and books ? inside a diamond shape. These vignettes are surrounded by floral and geometric patterns and there is a geometric band at the rim in brown and gold. Outside has repeated floral design with two bands with geometric motifs, and two brown bands.

Print of people traveling up a mountain side by way of a trail. there are trees on either side of the trail and blue mountains in the background. Nissaka Station (#25). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: " NISSAKA 'Sayo-no Nakayama Yonaki-ishi" (a stone which cries at night at Nakayama) is the basis for a strange but popular legend, which was the common subject of traveller's talk.'" There are Japanese characters at the top, bottom, and side of the printed message.

Print depicting people traveling through a narrow mountain passage. Trees on either side. Houses in the background. Print of Okabe Station (#21). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: " OKABE After leaving Mariko, a town in the flat countryside just beyond Shizuoka, the train passes through a tunnel. Then one sees mountains amazingly like this print." There are Japanese characters at the top, bottom, and side of the printed message.

Print depicting a harbour with boats at sea and docked at short. Cluster of mountains in the distance to the left. Print of Ejiri Station (#18). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: " FJIRI The present Shimizu Harbour. The pine covered projecting point is "Miho-no-Matsubara" (the pinery of Miho) where according to legend an angel danced before a fisherman in order to retireve [sic] her stolen celestial raiment. Nowadays this spot is well-known as a tea exporting port." There are Japanese characters at the top, bottom, and side of the printed message.

Rectangular, multicoloured woodcut print. Print is of Kiyomizu, a poetess of ancient Japan, as derived from Nana Komachi from “Furyu Nana Komachi”. She wears a pink kimono and walks down a flight of gray stairs. She is flanked by two tall pine trees. Across the top edge is a white border with a scalloped edge and Japanese script.

Rectangular, multicoloured woodcut print. Print is of Mitate Kikujido, a female character from a Noh play, who attained everlasting youth by taking the dew of the chrysanthemum. She wears a pink kimono and sits upon yellow ground beside a rushing white stream. Lining the stream are pink and yellow chrysanthemums. The background is a pink sky.