Print showing a landscape, with a person walking on a path, near a large red gate. There is a large mountain in the distance, and boats on the lake.

Print showing a seaside scene; three women are walking along the shore, with a tree in the background.

Scene of two ladies in watercraft, steered by man at back of boat, under a pier. Other boats in background.

Scene of people in a boat crossing a body of water. Village in background. Black Japanese characters in upper right corner.

Tall, narrow flask with triangular spout at rim. Surface is glazed turquoise and is undecorated; interior is glazed beige; base is unglazed. Part b is a lid that fits into neck and rests on rim; a knob protrudes from the centre. The top is glazed and the underside is not.

Round, shallow dish decorated in red, black, and gold triangular segments that swirl slightly around centre. Decoration is on both interior and exterior. Inside of raised foot ring is glazed white with blue band around edge and blue mark in the centre.

Rectangular hexahedron made of brown leather stretched over a wooden frame. Object has gently curved convex sides and back and gold floral designs painted on the ends.

Globular vase with hollowed out foot and very short neck. Decoration is a gold plant design on orange ground. Part b is an ivory lid with a central knob protruding from a recessed area; underside is painted gold.

Lacquered bowl with black exterior and dark grey-brown interior that fades to black at rim. Bottom of base has rim. Inscription on label on underside of base.

Print depicting a group of people crossing an arched bridge. There is a cluster of buildings in the distance. Blue mountains are part of the background. Print of Okazaki Station (#38). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: “ OKAZAKI The castle of the Tokugawas at Okazaki. This is the scene of the famous meeting between Toyotomi Hideyoshi, in his boyhood, and Hachisuga Koroku. Tradition says that Hideyoshi hid under straw-matting on the bridge waiting for some great person worthy to be his master. Hachisuga, a wandering Samaurai, passed and kicked him. After a tussle, Hideyoshi became his follower." There are Japanese characters at the top, bottom, and side of the printed message.