Three watercolour paintings framed together: one of an elderly man, young boy and a tiger; another of a young man sitting by a pond; the third of a peasant resting by the roadside and conversing with two soldiers. Predominant colours are brown, black, red and white. Works are mounted on gold paper and lined up side-by-side in a black wooden frame, separated into three compartments.

Ink painting on paper. Image of a scholar, seated, with four students in seated in front of him; all are in different meditative positions (different mudras). Characters are written above, below and beside the figures. Paper is mounted on a hanging scroll attached to a red wooden baton; a fibre cord ties it shut.

Reproduction of a calligraphy rubbing (part a) from a Japanese tombstone that describes the life of a famous person buried there. The text is writen in Chinese. There are six large characters in a horizontal rectangle at the top with many smaller ones below. Part b is the printed version with Japanese annotation.

Shallow square wooden tray or Nibutani-ita (二風谷イタ) with rounded corners and a raised lip, carved from one piece of dark brown wood. The tray is decorated with a symmetrical carved pattern made up of traditional Ainu spiral and fish-scale patterns. The lip of the tray is decorated at each corner with two wavy lines that connect at the corner with a darker scallop shape pointed towards the centre of the tray. The bottom of the tray has a rounded square dark background of fish-scale pattern carving. The lighter smooth pattern inside the tray is made up of a fish-scale diamond in the centre, with four thick, pointed spirals outlined in dark carved lines ending to the left and right of the tray. The surface of the spirals are shallowly carved out to be concave. Four fish-scale petal shapes are at the top, bottom, left, and right sides where the spirals touch. The top and bottom petal have two smaller smooth petal shapes nested at the bottom. Around the spirals, an organic shape is outlined in dark lines against the fish-scale background, creating a lighter rounded floral background for the spiral pattern and petals.

Rectangular black cotton cloth with an abstract pattern of applique and embroidery in white red and orange, with some green and yellow stitching.

Pair of sandals. Brown plastic covering over rubber soles, with one gold and one grey velvet thong.

Demon mask. Carved and painted mask. Humanoid, demon-like face with bulging eyes, a protruding upturned nose and four tusk-like teeth. Light blue and gold scalloped headdress on top of mask. Central projection has three triangular protrusions with a teardrop-shaped projection in the centre. Ears painted a shiny copper colour. Mouth is open wide and has large white teeth along the top and bottom edges. Lips painted dark red, gums are pink. Face is painted brown and has black textured lines around the cheeks, and chin. Eyes are painted off-white, and rimmed in red. Mask has holes cutout under eyes and in mouth. Thin black knotted string attached. Skin with straight hair attached on brow and along top of head, and thick, curly hair extending along jaw.

Mata Besik mask. Carved and painted wood. Humanoid, demon-like face with one large bulging eye, a protruding upturned nose and one large tusk-like teeth. Two gold horns extending up on either side of the head. Lips and gums painted dark red. Face is painted brown and has black textured lines around the cheeks, and chin. Eye is painted off-white, with large black pupil, and rimmed in red. Mask has holes cutout under eyes and in mouth. Thin black knotted string attached.

Kokeshi Style: three floral decorations on front with two broad bands of green above and below; iris design on back; green splash and scratches on top of head; ten characters on base.

Kokeshi style: one floral; broad alternating bands of red and green above and below; six characters and one pencilled character on base