Furisode (振袖) with a crane design, one of the auspicious designs used for kimono. Garment displays flocks of white cranes with dark grey heads and tail feathers in flight across a bright orange background. Kimono is open at the front, and sleeves have long hanging panels open toward the body, with a small opening for the wrists at outside top. Bottom hem is thickened with stuffing known as fuki (袘). The interior body, sleves and lapels of the garment are lined in red silk. It has five family crests or kamon (家紋) in the shape of diamond-shaped flower motifs known known as ken hanabishi (剣花菱).

Furisode (振袖) made of silk woven in a fine horizontal pinstripe. It is dyed with images of leaves, a variety of flowers, birds, trees, and elements from a garden such as buckets and stepping stones, as well as a padded stool and fan shapes scattered across a brown surface at top that fades to light tan below midpoint. At bottom some patterned elements are outlined by sliver-leaf thread. Garment is open at the front, lapels are lined with white silk, and sleeves have long hanging panels that are open toward the body. Small openings for the wrists sit at outside top. The interior of the garment and sleeves are unlined. It has five family crests or kamon (家紋) known as kuyō (九曜), one of the crests representing stars.

Komon (小紋) that is open at the front, with sleeves of hanging panels with small openings for the wrists at the top. Made of patterned silk with evenly spaced sets of metallic gold threads running vertically. The garment is heavily dyed in triangular patterns in shades of blue and purple, interspersed with areas of light yellow. Embroidered below the waste and on the backs of arms and shoulders are yellow and orange-brown flowers with vines tied in bows. The interior of the garment is fully lined with bright red and blue silk.

Furisode (振袖) made of patterned orange silk, double lined in red, pink and orange silk through body, lapel and sleeves. The kimono displays bunches of large flowers and leaves in an off-white colour, with delicate green veins and gold paint trim, across most of the garment. Printed on top of these are decorative emblems with trailing ropes in a variety of colours, emphasized with gold paint and gold metallic wire. The robe is open at the front, with long hanging panels draped from the sleeves. Panels are open toward the body to show the double lining, with a small opening for the wrists at top.

Uchikake (打掛) made of black silk, heavily embroidered with metallic fibre made of gold-leaf-wrapped mulberry paper and other colourful threads. Designs include carts full of flowers of four seasons known as hanaguruma mon (花車文), butterflies and long vines. Scattered among these are thin horizontal rectangles as well as large squares, some containing flowers. The interior is fully lined with bright red fabric. The kimono is open at the front, with short paneled sleeves containing a small opening for the wrists at top outer corner. The garment’s bottom hem is thickened with stuffing known as fuki (袘).

Shallow cup with rounded sides. Foot is a molded face with protruding chin and horns that the dish sits on. On side below the chin are twelve incised Japanese characters. Interior of cup is decorated around centre with a painted face; otherwise, the cup in unglazed and is very polished. Cloth (b) and box (c-d).

Noh Okina (翁) mask, depicting an old man. Mask is carved from wood, with exaggerated wrinkles on brow and cheeks, down-turning eyes, a wide nose, and incised lines on upper lip indicating a mustache. The mask is painted light grey with black accents and a red mouth. The separated chin (切顎; kiriago) is attached with strands of fibre on either side of the mouth, with a long beard, possibly of horse hair, falling from chin and lower lip. Bushy circles of fibre above the eyes represent eyebrows. A long, cream coloured, braided tie is attached to either side of the mask. The inside is painted black.

Bound paper book of woodblock prints titled "One Hundred Chrysanthemums". Book consists of a back and front cover and 27 doubled over pages, with images on one side only. Images are a variety of chrysanthemum flowers, accompanied by their names in Japanese kanji script.

Dark blue porcelain vase. A tall vase with a gold rimmed lip, short neck, and flaring round shoulder that narrows through the body to a small base. The exterior is a shiny dark blue; the interior and bottom are white. A gold seal is shown on the exterior just below the shoulder.

Bottle with a long, narrow, flared neck and a raised foot. Exterior is decorated with six scenes contained is outlines of different shapes. The two largest designs are of a floral scene and a scene with bird and bamboo; the two scenes in a fan-shaped outline are of an ocean and mountain scene and a pier and tree scene; the two scenes in the cloud-shaped outlines are of a pier, tree, and distant mountains and of a building with a tree near the ocean. Geometric decorations are at the neck and above and below band of scenes. Part b is a stopper and fits into neck and rests on the rim; a knob is in the centre; the top is glazed brown with gold; Underside is glazed grey; stopper is unglazed.