Hand-painted dry-point etching print. Image shows a black line drawing of a child desk and chair with a standing child and standing male adult next to it with red and green brush strokes added to the chair. The adult figure has numerous crossed diagonal lines and green brush strokes over it, and is portrayed as having abusive words (via symbols) projecting from his mouth. He also is positioned with his hands on and in front of the child's head as if hitting him. The figure of the child has red brush strokes added. The title, The Day After, is written on the print in black letters in the upper left. Print is signed, dated and numbered (3 of 15) in pencil below the image. Framed.

Hand-painted dry-point etching print. Image shows a black line drawing of a child sitting in a bathtub (with a toilet in the foreground) facing away from a naked adult male standing at the other end facing him, outside the tub. The image of the boy has red brush strokes added around the lines; the adult has green brush strokes added in some areas. There are numerous black diagonal lines with green brush strokes across the image and many crossed lines over the adult figure. Print is signed, dated, numbered (3 of 12) and titled in pencil below the image. Framed.

Stonecut print of black image of boat with animals in profile. Boat has one sail and large propellor at stern, and anchor hanging from prow. One dog is steering the ship and one is standing right at the prow. The heads of five other animals are shown in the boat and another is on the mast lookout. The Cape Dorset marks are upper left of the image. Inscription in pencil below.

Drawing of two Inuit women in blue jackets, long red skirts and boots, facing front. The woman on the left has dark blue boots and a light blue jacket, while the woman on the right has light blue boots and a dark blue jacket. Each woman has a face comprised of two horizontal lines (eyes), two dots (nose) and a long line (mouth). There is a blue arrow (<) to the right side of the image.

Stone carving of two barrels and a shotgun (part b) that sit on a stone base. The barrels are mainly a light green stone with black highlights and are attached to the base; the gun is mainly black and dark mottled green-grey stone, with a light green butt end and very small inlays of an ivory coloured material (bone?). The gun leans on the barrels and has a small round attachment on the base to hold the butt end in place. The carving is signed and dated by artist on underside of the base.

Print depicting a hybrid bird, fish and woman in profile. The figure has a woman’s hand and head. The face looks backwards at its own fish or whale-like tail. Underneath this fish tail, there is another, bird-like, tail. Supporting the creature is a large bird foot. The creature’s flesh is covered in a number of different texture designs. There are two small stamps in the lower left edge of the image; one is black and the other is red. The red stamp resembles an upside down ‘u’. The title of the work and the artist’s signature are written along the bottom edge of the image. There is a brief artist biography and distributor’s stamp on the back of the print.

Stonecut print depicting a large polar bear being pursued by a wolf, a hunting dog and a male hunter. The hunter wears boots, pants and a hooded parka and carries a spear. To the right of the hunter’s head are four stamps. Two of these stamps are red with the top stamp perhaps depicting an eye. The bottom two stamps are black; one of which is more faded than the other. Inscription: "Chasing the Bear stone cut #40/50 Cape Dorset N.W.T. 1961 Eegyvudluk" runs along the bottom of the image.

Stone-cut print on thin hand-made paper, mounted on cardboard. At the top of the image, there is a rugged black line which forms the land upon which two beings are standing. One of the beings is a hunter but the being on the left side is a more enigmatic figure because it has a misshapen stomach and body. This being is naked, however, and has a male sex organ so we can surmise that it is male. The two beings are tethered together with lines attached to the harpoon that the hunter upraises in his left hand. In his other hand, the hunter holds a shield. On the far right edge of the land, there is a small shelter, supported by three wood poles. Below the land there are ten whales. The whales are a variety of different shapes suggesting different species. All of the whales swim towards the right side of the paper. There are three or four stamps in the upper right corner; two of which are red and two of which are black. "Lumiuk and the Whales stone cut # 12/50 Cape Dorset N.W.T. 1961 Kiakshuk" is written along the bottom edge of the paper in pencil.

Drawing of a man loading a sled that is tied to a snowmobile by a rope. Man is kneeling by the back of the sled, with his back to the viewer and wearing a red backpack. The scene is of a snowy plain with some rocky hills in the background and then another flat snowy plain beyond those, with a blue sky. On the sled is a grey box, blue cover and red gas can. There is an embossed stamp in the lower right corner and in pencil below image the title, artist and date are written.

Print on horizontally rectangular paper showing a image of a large figure holding antlers and a bird with long neck and head lowered in top left corner; also three brown caribou, two without antlers, one with, at right. Pencil inscription below image reads "32/50" title and artist's name in Inuit syllabics "1963". Canadian Eskimo Arts Council stamp and Cape Dorset stamp blind embossed in lower right corner.