Shallow wooden tray. The object is made up of a base piece, two long narrow side pieces, and two shorter side pieces that flare outward to serve as handles. All are joined by nails. On the base is a line painting, black and red, in stylized Northwest Coast design of a bird with wings spread, surrounded by a variety of designs.

Spoon carved from one piece of mountain goat horn with an elongated dish and a curved handle that has a hole drilled near the tip.

Six black bird-like creatures. Five are above the red line and one is on the red line in the centre near the bottom. The five bird-like creatures are in a formation consisting of three on the left side and two on the right side. The two top left side ones are facing to the right side while the one below is facing to the left side. The top right side one is facing to the left side while the bottom one is facing to the right side. The one on the red line is facing to the left side. Across the bottom, there are words reading 'AIESEC - VANCOUVER / 1982'. Above the 'ER' in 'VANCOUVER', there are the words reading 'Weegit and the Tricksters / Lyle Wilson c 1980 / Printed in Canada / By Evergreen Press Ltd.'. The poster is on a vertically rectangular, light yellow paper piece.

Six black bird-like creatures. Five are above the red line and one is on the red line in the centre near the bottom. The five bird-like creatures are in a formation consisting of three on the left side and two on the right side. The two top left side ones are facing to the right side while the one below is facing to the left side. The top right side one is facing to the left side while the bottom one is facing to the right side. The one on the red line is facing to the left side. Across the bottom, there are words reading 'AIESEC - VANCOUVER / 1982'. Above the 'ER' in 'VANCOUVER', there are the words reading 'Weegit and the Tricksters / Lyle Wilson c 1980 / Printed in Canada / By Evergreen Press Ltd.'. The poster is on a vertically rectangular, light yellow paper piece.

A black etching on a white background. Two horizontal line acroos the top middle with dots at either ends. Below, to the left side, there are two representations of lines. Next, there are two approximate squares made up of diagonal lines. Then, there is a fin-like shape. Below, there is an ovoid shape which is a bit longer horizontally than the two lines above. The etching is on a vertically rectangular, white paper piece.

A black salmon in profile and facing to the left side. The mouth is open. The fins are decorated by cross hatching. The interior of the body is decorated by ovoid shapes and wavy lines. The etching is on a horizontally rectangular, light brown paper piece.

Two white ovoid shapes on top of one another on a black background. At the top, there is a needle-like projection coming out of the left side. At the bottom, there is a needle-like projection coming out of the right side. From the centre, on the right side, there is an inverted L-shaped projection. Decorated with diagonal lines. The etching is on a vertically rectangular, white paper piece.

A black face, possibly that of a beaver or a frog, which is short and wide. Legs with a circular end are flanking at either side. Cross hatching and ovoid designs. Four teeth at the centre. The etching is on a horizontally rectangular, white paper piece.

A black beaver in a circular position with the head touched by the tip of the tail. The face is at the base of the tail. Cross hatching and ovoid designs used throughout. The etching is on a vertically rectangular, light brown paper piece.

A black triangular shaped design consisting of a head in the centre with arms and hands extending at either side along each of the three sides. Cross hatching and ovoid designs. The etching is on a relatively square light brown paper piece.