A celadon dish with gently sloping sides, a slightly grooved rim and a foot ring. The centre is moulded with a raised single fish, probably a carp. The cavetto is smooth with outside moulded petal decoration. Oxidized iron spots can be seen under the glaze on one side of the dish. The foot rim is unglazed burning a reddish-brown and revealing a grey clay body. Paper sticker with number in centre and inked letter and number is written on the underside.

A tall, round jar with wide mouth, six vertical lugs on the shoulder and relatively narrow base. A fibrous cord is tied around the neck and body. Two three-toed dragon with long narrow bodies stretch across the area just below the lugs. Each lug has a pair of parallel grooves. The upper half of the jar has a ring of elongated iron spots. There are two faintly incised circles around the neck. The interior, base area and underside are unglazed. The lip has a set of inked numbers

A large plain white dish broken into two pieces across the centre and then repaired. The base is broad, flat, encircled by two raised rings, has no foot ring and is unglazed revealing a chalky white clay body. There is also an unglazed band around the rim. Grit adhesions on cavetto and the glaze is crackled throughout. A set of inked letter and number is written on the bottom.

Two circular kiln-attached celadon boxes with lids missing. The outer box has an exterior moulded with a series of vertical grooves, a glazed underside and unglazed foot ring. The exterior of the inner box is smooth and the interior is swirled with a brown glaze. Both boxes have ledge-like lips on which lids can sit. The glaze is thick and glossy. Where the glaze ends, at the lips of both boxes and the foot ring, it is reddish-brown. Where chipped, a grey porcelaneous body is exposed. A set of inked letter and numbers is written on the underside.

A reassembled cylindrical celadon incense burner, with several visible repaired cracks, three short tapering legs, sides which narrow slightly towards the base and a foot ring. The mouth is fully opened with the rim turning inward to form a narrow, almost flat ledge. The exterior is moulded with the eight diagrams or trigrams - a series of three broken-up horizontal lines in eight rectangles. Most of the centre, foot ring and the bottom of the legs are unglazed and have burned reddish brown. Where chipped, a grey porcelaneous body is revealed. A set of inked letter and number is written on the underside.

A deep celadon bowl with bulbous body and hole-bottom underside. The centre is slightly convex and raises to a small peak. Repairs to bowl are much more visible on the exterior surface than inside. Matte green glaze covers entire bowl except underside and a little area just above the base. Where unglazed, a reddish-brown body is revealed. A set of inked letter and number is written on the underside.

Brown miniature globular bottle with short neck, wide mouth, wide flat base and two vertical lugs on the shoulder. The glaze ends midway down the body in an uneven line except for a point where it runs to the base. The slightly concave base is rougher to the touch than the rest of the body surface. Overall, the clay is coarse and grey. A set of inked letter and numbers is written on the underside.

Miniature spherical bottle with wide mouth, rounded lip and wide base. Brownish-grey glaze covers the upper half of the body and is finely crackled. Mottled dark brown glaze on lower unglazed dark grey body. The jar has a cord cut base and no foot rim. A set of inked letter and numbers is written on the base.

Miniature bulgy spherical bottle with short neck, small mouth with rounded lip and foot ring. Glaze is shiny and covers the mouth and exterior except the foot and small circular patches (repairs) on the mouth rim and body. Unglazed areas reveal a dark grey dense stoneware body. The centre of the base has a spiral. A set of inked letter and numbers is written on the underside.

A miniature bottle with long neck, trumpet-shaped mouth and splayed foot. The body and foot are moulded with raised linear designs of overlapping upright lotus petals. The vase is luted in three sections: at the base of the neck, midway down the body and at the junction where the foot begins to splay. A large hollow at the base forms a narrow foot rim on which the vase rests. Glaze covers the inside of the trumpet mouth and down the exterior surface until just short of the base. The exposed parts reveal a chalky white body. A set of inked letter and numbers is written on the narrow foot rim.