Watercolour and ink painting of Guanyin, Mahayana Buddhist goddess of mercy, with two attendants, produced for the lunar New Year. The painting is adhered to a long scroll of heavy paper covered with white silk, attached to a wood scroll bar. A brown riibbon is attached to the top of the scroll. Image shows Guanyin seated, dressed in white and black robes with an intricate copper, green, and white crown on her head, and holding in her left hand a blue vase containing a single frond of bamboo. Beneath her is the yellow and green head of a lion. To her lower right is a standing robed figure looking away from the goddess, while to the left is a partially clothed figure with hands clasped and lifted toward her.

Watercolour and ink painting of Zhongkui, king of ghosts in Chinese folklore, produced for the lunar New Year. The painting is adhered to a long scroll of heavy paper covered with white silk, attached to a wood scroll bar. A brown ribbon is attached at top. The image shows Zhongkui holding a staff or sword, with a black tiger to his right, its tail wraped around to the left. Two attendants stand behind either shoulder. Zhongkui wears a grey and black belted robe, and an elaborate headdress.

Watercolour and ink painting of a Chinese medicine deity, produced for the lunar New Year. The painting is adhered to a long scroll of heavy paper covered with white silk, attached to a wood scroll bar. A brown ribbon is attached at top. The image shows the god seated on the back of a yellow tiger, holding a needle in one hand and grasping the beard of a gold and green dragon flying overhead with the other. Two attendants stand to either side of the god at his elbows, one holding a bottle, the other a box. All figures wear long, grey, belted robes.

Watercolour and ink painting of Lao Tzu, ancient Chinese philosopher and founder of Taoism, produced for the lunar New Year. The painting is adhered to a long scroll of heavy paper covered with white silk, attached to a wood scroll bar. A brown ribbon is attached at top. The image shows Lao Tzu riding a blue ox, who's head is wrapped around his master's leg on the right. A circle with geometric linear patterns surrounds the philosopher's head. In front of him sits an incense burner on a short pedestal, with two attendants standing to the sides. One holds a sheathed sword, the other a group of feathers.

Watercolour and ink painting of Guanyin, Buddhist goddess of mercy, produced for the lunar New Year. The painting is adhered, below the midpoint, to a long scroll of heavy paper covered in silk and attached to a black wood scroll bar. A brown ribbon is attached to the top of the scroll. Image shows Guanyin dressed in white, grey and blue robes, an intricate copper and green crown on her head, seated on a blue lion with flowing yellow hair. Behind the goddess are two circles containing geomentric linear patterns, accented with yellow and blue.

Watercolour and ink painting of Guanyin, Buddhist goddess of mercy, produced for the lunar New Year. The image shows Guanyin dressed in black and grey robes, with a gold headdress and elaborate necklace. She sits on the head of an elephant, reading a small book, in front of circles filled with geometiric linear patterns and blue and gold colouring. The painting is adhered to a long scroll of heavy paper covered in silk and attached to a black wood scroll bar. A brown ribbon is attached to the top of the scroll.

Watercolour and ink painting of Guanyin, Buddhist goddess of mercy, produced for the lunar New Year. The image shows Guanyin dressed in white and grey robes, with a white and gold crown and elaborate gold necklace. She sits cross-legged above brown and green vines, and in front of circles filled with geometiric linear patterns and blue and gold colouring. The painting is adhered, below the midpoint, to a long scroll of heavy paper covered in silk and attached to a black wood scroll bar. A brown ribbon is attached to the top of the scroll.

Watercolour and ink painting of Zhongkui, king of ghosts in Chinese folklore, produced for the lunar New Year. Zhongkui rides on the back of a black tiger, flying over a mountainous landscape. He holds a flaming orb in one upraised hand. Two figures stand below on a hillside, one brandishing an unsheathed sword, the other hoding a brown ring with a diamond motif in both hands. The painting is adhered to a long scroll of heavy paper covered with white silk, attached to a wood scroll bar. A brown ribbon is attached at top.

Watercolour and ink painting produced for the lunar New Year. The image is of lady Magu, an immortal, protector of females, known as the Hemp Maiden. She carries a staff over her shoulder, balancing a basket of greenery and lotus flowers. To her left stands Shou Xing, the god of longevity. He holds a peachwood (?) staff in one hand and lifts a dried fruit to Magu with the other. To her other side is a child carrying a basket of immortal peaches. A black and red inscription in Chinese text is written above the figures. The painting is adhered to a long scroll of heavy paper covered in silk and attached to a black wood scroll bar. A brown ribbon is attached to the top of the scroll.

Print of a civil official door god (如意加官), one type of civil door god (wen menshen; 文门神). The man is shown in a long robe, with small black goatee, a long black moustache, and a long, thin, black beard. He holds a military hat with a hanging banner with writing on it, 天官赐福 (Blessings from the Heavenly officials) in his right hand. In his left he holds a ruyi (如意, scepter). He wears a hat that has dark purple on the lower portion, purple-pink on the upper portion, and orange wing-like flaps pointing out to either side. The robe is red, green, purple, turquoise, purple-pink, orange and black. Figure faces right (viewer's left). The background is plain paper. The print is vertically rectangular.