A white, miniature knife with a feather-shaped blade. Cut out notches define the hilt from the blade. The handle has a small, spherical lump in its centre.

A long, narrow object comprised of several parts. A long piece of bone resembling a bell clapper has four carved ribs and a loop at one end. Skin is tied to the loop and threaded through a tube-shaped section of bone. Two copper needles and a grey stone thimble are attached to the skin on the other side of the tube. A double-sided hook is tied to the end of the skin strip.

The piece is mainly made of wood in the shape of a cross with a strip that circles around the cross. One point of the cross sticks out from the circle and has a piece of bone curving upward. The object is attached with nails.

Roughly square, dark blue felt wall hanging covered with multicoloured embroidery and figurative felt appliqué; imagery includes hunting-like scenes and three central figures standing underneath a yellow arch. Rolled edges with white and green whipstitching. Top edge is folded over and sewn to create a loop for hanging.

Large, rectangular, brown felt wall hanging. Eight multicoloured zoomorphic felt appliqué figures covered with multicoloured embroidery; two in the centre and three on either side. Upper edge is folded over and sewn to create a loop for hanging.

Square, green felt wall hanging covered with embroidery and multicoloured figurative felt appliqué; various human and animal figures are represented. Rolled edges with red and yellow whipstitching. Top edge is folded over and sewn to create a loop for hanging.

Rectangular felt wall hanging depicting scenes from the life of Jesus. Multicoloured felt appliqué figures with talk bubbles stitched in yellow, orange, and pink thread on maroon ground. Rolled edges with orange and yellow whipstitching along the sides and bottom. Top edge is folded over and sewn to create a full-length loop for hanging.

Pair of boots made of brown and white caribou fur. The soles are made of dehaired seal skin with upstanding sides with vertical crimps. Between the sole and the vamp a red dyed narrow strip of dehaired skin is inserted all around. The leg section consists of white caribou fur with vertical brown caribou fur panels and narrow strips of white and brown caribou fur on either side of the leg. On top of this a horizontal strip of wolverine with two wolverine tassels in the front and in the back is sewn. Above this and intricately decorated broad band of shaved white and brown caribou fur in a geometric pattern, and tufts of red cloth are attached. The top of the boots have a blue cloth casing through which a plaited cord of wool is strung. On either side of the foot a long strip of dehaired skin is attached into the seam of the sole.

Pair of inner stockings of caribou skin with the fur on the inside. The stockings reach to the knee and are higher in the front than in the back. The stockings consist of a piece of skin forming the sole, a vamp section and a large piece of skin that forms the leg section with a seam in the back of the leg.

Stoncut and stencil print with a black and white border around the central design. There are two red, black, and white ulus with one at the top and one at the bottom. Two horizontal white hearts on each side. Between the hearts and ulus, there are four brown and turquoise fish like creatures. In the middle, there is a yellow circle with a black centre containing four small circles within circles. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'Magic Circle, A/P III/III 1971 Oonark, Seevoga'. Stamped with names of artist and printmaker in Inuit syllabics in monogram form with Baker Lake bow and arrow in right corner. The print is on vertically rectangular white paper, mounted on off-white matboard and framed.