Male doll, seated on a basketry base, with a stone face. Eyes and mouth are incised, wide nose and hair are carved in relief. Figure is wearing fur clothing, consisting of a parka, mittens, pants and boots. Mittens are hairless. Bottom edge of parka has leather fringe. Dark brown highlights down front of boot calves. Vamps have dark green embroidery along their edges. White stuffed dog, made of sheep skin, in front of doll. Dog is wearing a harness, trimmed with fur, and the doll is holding the leather reins in each hand. Basketry base is undecorated.

Abstract, human-like figure made from antler, with movable arms and legs tied to each side. Body is rectangle-like in shape, with a triangular top and oval-like base. Holes drilled into front surface, close to top, imitating eyes and an open mouth. Wide nose carved in relief. Legs are rectangular, with sloped ends. Hands are square-shaped, with small cutouts along the bottom edges, imitating fingers.

Drawing of nine human figures circling a yellow drum in the centre. All have their heads pointed towards the drum, their bodies stretched out towards the edges of the paper. Seven of them are forward facing, and wearing snowsuits and boots. Colours of suits and boots are dark yellow, dark green, red, turquoise and dark brown. All have oval-shaped eyes, straight brows, slits for nostrils and open oval-shaped mouths. Two figures, towards the right side of the drawing, are done in profile with dark green parkas and matching pants and boots. Their faces are coloured yellow and both have bundles on their backs. A small tenth figure crouches beside the drum, hitting it with a drumstick. The figure is coloured black, with red and green undertones, has a pointed face and red hand. Syllabics written in the bottom right corner in turquoise. Pencil inscription on back, in bottom right corner.

Applique wall hanging of three men and two women on a dark brown background. All have white faces, with oval-shaped eyes, long lashes, thin lines for mouths, and black hair. Men’s hair is cropped short, women have braids. Women are wearing long parkas and boots; men have short parkas, pants and boots. Parkas are orange, light purple-grey, and dark yellow, with dark purple, black, orange and pink trim. Pants and boots are dark yellow and light purple-grey, with black trim and light purple-grey trim. One of the men is in the background with a bow and arrow pointed at five bears and wolves. Animals are orange, dark blue and light purple-grey. The other humans are in the foreground, with their arms raised. Edges of hanging are rolled, secured with white and yellow whipstitching. (Velcro strip sewn on back, for hanging purposes).

Stonecut and stencil print of a small family with the father standing in the centre, mother to the left and child to the right. Mother and father are forward facing and child is shown in profile, reaching towards the father. All are wearing white parkas, light brown mittens, and blue-green fur pants. The father and child have matching fur boots, the mother has dark blue boots. The mother’s parka has a long tail, ties in the front and multiple black bands along the bottom edge and cuffs. The father’s parka has a tassel-like decoration on top of the hood, and bands of black and red-orange around the bottom edge and cuffs. The child’s parka has black band decorations. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative symbol stamped in top right corner. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner.

Drawing of three identical human faces and a fish, done in two rows of two. Top row has a face and the fish, bottom row has two faces. Faces are drawn horizontally, looking towards the right side of the paper. Eyes are oval-shaped, noses are long and thin, and mouths are open and oval-shaped. All have linear tattoos. There are three horizontal lines across the nose; three lines radiate out in a fan-like shape from the bottom of the mouth; and three lines on each side radiate out from the top of the nose across the forehead. Designs done in dark blue. They each have a yellow and blue ulu next to their face, and each face is outlined in a different colour, red, yellow and dark blue. The fish is facing towards the left, done in light blue, with a red eye. Syllabics written along the bottom centre in dark green. Pencil inscription on back, in bottom right corner.

Model kayak carved from antler (part a). Small figure (part b) sits inside cockpit, wearing a hooded parka. Eyes and mouth are incised, nose carved in low relief. Arms are held straight in front of body. Small notches along centre edges of hands to hold a separate double-bladed paddle (parts c and d; paddle is broken). Back of figure is polished; front is rough and dark grey, showing core of antler. In front of the figure, two harpoons are tied to the kayak with white fibre. Animal-shaped harpoon rest, with holes drilled along its length, in between them. Ends of kayak are carved in low relief.

Stonecut print of eight hunters pulling a sled. Four hunters are holding onto the sides of the sled, two on either side, and three are pulling it forward with a single cord. The four holding the sled have their backs turned, three pulling are facing left. The eighth hunter is standing alone in the foreground. All are wearing parkas, with the hoods up, short pants, and tall boots. The clothing of the seven with the sled are plain black. The eighth hunter has white trim along the parka cuffs, and bottom edges of the parka and pants. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative symbol stamped in bottom right corner. Canadian Eskimo Arts Council blind-embossed stamp below Cape Dorset Co-operative symbol. (Print is taped to board backing.)

Drawing of two rows of forward facing humans, that extend upward from two wide orange and green bands. Top row of humans is depicted from the shoulders up, bottom row from the waist up. Six humans along the top are wearing snowsuits and have identical facial features and tattoos. Eyes are oval-shaped, noses are long and thin, and mouths are open and oval-shaped. Tattoos are linear. There are three horizontal lines across the nose; three lines radiate out in a fan-like shape from the bottom of the mouth; and three lines on each side radiate out from the top of the nose across the forehead. Designs are done in black. Seven humans along the bottom are wearing snowsuits and have identical facial features. Eyes are oval-shaped, noses are long and thin, mouths are open and oval-shaped, and beards are triangular. Features are done in black, blue and dark green. Snowsuits of all humans are dark blue, blue, green, grey, orange and lavender. Syllabics written along the bottom centre in dark green. Pencil inscription on back, in bottom right and left corners.

Stencil print of spears and hooks. Row of seventeen orange spears, pointed down, overtop a row of twenty dark brown hooks, pointed up. Rows divided by a wide green line. In the bottom right corner of the print the title, signatures, edition number and date made are written in pencil. Signatures, in syllabics, with Baker Lake symbol stamped next to pencil inscription. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner. Pencil inscription on back, in bottom left corner.