Wooden figure of a deer. Creature is carved from several pieces of wood, with torso and head one piece, legs each separate pieces nailed onto the body. Tail is thick and held upright. Neck curves slightly upward, mouth open as if animal is calling. Large antlers rise from the top of the head and are painted black with white spots. The large diamond shaped ears are inset and glued into the head, sticking out to either side below the antlers. White, green and black eyes surrounded by long lashes are painted onto either side of the head. The body is painted red with a dense covering of small white dots overpainted by large black patches. Face has short lines of green.

Wooden figure of a cheetah. Cat is carved from several pieces of wood, with torso and head one piece, legs each separate pieces nailed onto the body in a running position. Tail is long and tapered at end, also nailed to body. The large round ears are inset and glued into the head. Eyes and mouth are incised and nose protrudes slightly. Whiskers and small spots are painted onto face, eyes are painted orange surrounded by black, and ears have short black lines. Body and legs are painted with the outline of large, irregular spots in black, each with a dot inside. Tail is painted with stripes and a black tip.

Wooden figure of a lion. Cat is in a standing position, with legs and tail all separate pieces of wood attached with small metal nails. Head is painted light red with large triangular ears at top, and nose whiskers and forehead fringe painted in black. Eyes are yellow. Long neck has a thick ruff, painted with black stripes. Short black lines are painted along the body, with long black lines on the tail.

Wooden figure of an animal. Creature is in a standing position, barrel shaped torso concave on the underside, long legs made of separate pieces of wood inserted into the torso at bottom. Bright green tail is long and wide, extending out from the body. Head is triangular in shape, painted purple, with large triangular ears at top. Large eyes are painted white with prominent eyelashes. Body and legs are red, with a wide green belt around midpoint. Short lines and open circles decorates the torso.

Large black poncho with half sleeves. Square neck opening with tan stitching bordering the collar. Bottom back edge of poncho has twisted wool fringe. There are slits in the seam under sleeve on both sides.

Low-fired pottery figure of a woman with orange detailing. The woman’s hair is in two braids which meet at the top of her head. Eyebrows, a nose with nostrils, eyes, lips and ears have been added to her face. There are small lines incised in her eyebrows to represent hairs and there are small lines around her eyes to represent wrinkles or eyelashes. Orange tear drop earrings hang from her ears. She also wears an orange necklace made of six orange dots of clay. In her left arm she carries a pot which is positioned so that the opening faces the front. The pot has an orange rim. There is a basket in her right arm; it has an orange handle made from two pieces of twisted clay. In the middle of her body there is a flower with orange petals. She wears a round skirt to the ground. On the front of the skirt there are two birds in profile facing each other; there is another flower with orange petals in between their bodies. The bird’s feet and feathers are incised in the clay. Directly below the bird’s feet are the woman’s own small feet, which stick out from under her skirt. Around the back of her skirt, there are three more flowers with orange petals. On both sides of each of these flowers, there are two orange leaves or petals. The interior of the woman’s body is hollow.

Tin retablo altar depicting Cristo Negro or Christ of Esquipulas. The case consists of tin and glass. The sides are angled to form a trapezoid at the top and bottom of the object. On the top of the altar, there are decorative pieces of tin with scalloped edges. At the top front, the decorative piece is embossed with a flower, vines and circles. Along the bottom of the object, there are also decorative pieces with straight edges and circular designs on them. The back of the altar is polished on one side to give it a mirror effect; this piece can slide upwards out of the frame to allow access to the back of the retablo (but there is currently a piece of tape attaching it to the altar). The other sides of are glass within the tin frame. The figure inside the altar has black skin and is affixed to a cross. Underneath the man’s hands and feet there are silver tin flowers. Around his head is a tin halo and he wears a small crown as well. His long hair is made of black and white thread hanging down. There is a white cloth low on his waist with gold bands and spots. Attached to his right hip is a white circle with a blue decoration in the centre. There is blood dripping from the man’s forehead, neck, hands, rib and knees. In the background of the altar are tin flowers affixed to a wooden flower. Along the top and sides the flowers are red, pale yellow, silver, light pink and pink. On the centre bottom of the frame, there is a blue flower. There is another blue flower affixed to the base of the cross. There is a hole in the back of the object near the top. Also on the back, a number is written inside of a circle.

Tin retablo altar depicting 'Our Lady of Solitude.' The case of the altar is made of tin and glass. The top and bottom of the object form a trapezoid. Three of the four sides of the case are glass in a tin border. The back side of the case is tin that has been polished on one side to give it a mirror effect. Along the top edge of the case, there are decorative pieces of tin with scalloped edges. These pieces are also embossed. The front piece has a flower and leaves embossed into it. There are decorative pieces of tin along the bottom edge of the case too. These pieces have straight edges and are embossed with a half-circle design. Inside the glass, there is a small figure of a woman, created out of plastic and fabric. Her elbows are bent and her hands are joined together in prayer. Due to her large garment, most of the woman’s body is obscured from view. Only her hands and her face are visible. The woman’s eyes are closed. Her garment is a hooded robe that has a triangular shape. The garment is brown with gold seams and brown sparkles arranged into a sun motif. She wears a gold crown on top of her head. The woman stands upon a small tin base that has flowers embossed in it. In the background, there is a wooden frame to which there are tin foil flowers and leaves affixed. The flowers are orange, yellow, red and pink on the front and some are blue on the back. Stamped into the ceiling inside the case is the word is the word ‘Mexico’ written backwards. On the top exterior of the case, there is a small triangular hook. On the back of the altar, there is a small hole. There is also a number and some indecipherable words written. On the bottom of the object there is a number and some letters written in a white pencil.

Round ceramic dish with abstract blue leaf design on the front, composed of blue shapes interspersed with thin blule lines. This design is set on a yellow-white background. The dish has a circle in the middle surrounded by an angled rim, and along the edge of the rim there is a thin, black painted border. The dish has a small circlular foot. Around the edge of the back of the plate, there is a blue triangular pattern. The rest of the back surface is solid yellow-white. "Oaxaca Mexico" is carved lightly through the glaze into the base.

Round ceramic dish with an abstract orange and black design on a yellow background. The top of the plate consists of a smaller circle within an angled rim. There are alternating orange and black triangles that convene in the centre around a small black circle. On the top there are a number of globs of glaze. On the bottom a yellow, orange and black pattern appears around the edge, in alternating sections of triangles in yellow, black and orange. The remaining surface on the bottom is solid yellow-white, and the dish has a small circular foot. "Oaxaca Mexico" is carved lightly through the glaze into the base.