Large staff built on a wood armature with an iron blade and phallic handle. The wooden hilt is studded, wrapped in iron with iron cap. The blade tapers in towards the tip. Towards the top there is a small square cutout with a cross etched on each side. Above and below, the thin area is wrapped in iron. The blade itself is also etched with various designs, however the metal is rusted.

Large staff built on a wood armature with an iron blade (part a) and phallic handle (part b) with loose coiled metal (part c). The wooden hilt is studded, wrapped in iron with iron cap. The blade tapers in towards the tip. Towards the top there is a small square cutout with a cross etched on each side. Above and below, the thin area is wrapped in iron. The blade itself is also etched with various designs, however the metal is rusted.

Carved door panel made of two wooden rectangular panels, held together by three horizontal wooden boards nailed to their backs. Right side of left panel is jagged, it extends slightly over the right panel. Left panel has spindle extending from bottom left corner. Top left corner of left panel has round extension. Left panel has carving of large male figure with his hands upraised, holding ceremonial pots in each hand. Below him are four figures, in two rows of two, facing inward and carrying staffs. Right panel has carving of large female figure with her hands upraised, holding ceremonial pots in each hand. On her left there is a small figure holding a curved object. On her right there is a small figure with characteristics of the deity Eshu-thumb in mouth and phallic hairstyle. Below the large female there are five figures, two rows with three above two, facing inward and holding offering pots. Three of the five figures have the deity Eshu's hairstyle. Between the two figures on the bottom is a carving of a divination tray, known as Ifa. Tray is circular, made of cross-hatched lines. All designs carved in high relief. There is a small square cut out on the right panel between two figures holding offering pots. Nails securing boards on back are visible from front. Three nails for each board. The nails in the centre are straight, the nails on either side are bent over, to lie flat against the panels. Additional nail along right edge of right panel, bent to lie flat.

A calabash with geometric relief designs around shoulder, above, and on flat base. At the widest circumference are four supernatural beasts. Between and beneath the beasts are shield-like forms and above back tails are wedge-shaped designs. Texture on carved forms is achieved by fine incised lines. The animal portrayed has the body and claws of a cat, a bird-like head, and beak, and a long tail terminating in a spade-shaped tip. Above and beneath the animal are geometric designs consisting of wedge shaped bordered by seven straight horizontal lines encircling the container. The base design consists of tapering arms radiating from a circle. The negative background of the calabash is yellow-red and the positive areas are black. The black forms are outlined in deeper relief than the surrounding background.

Hemisphere or half a calabash gourd decorated on the outer surface with a painted and carved relief design of a large undulating serpent starting with the head above a small semi-circle hole near the rim and ending with the tail at the same point. Within the undulations, there are six birds and one lizard(?). Geometric pattern around rim, around a 2 cm hole in the centre, and around hole near the edge. All designs are blue.

Figures representing people in front of a shrine. One woman is bending before the shrine holding a fly swatter, wearing a short-sleeved dress, and with her hair braided into a top knot. One woman is kneeling before the shrine holding an offering of a chicken, and she is wearing a short skirt and a large soft hat. One figure is prone before the shrine, and she is wearing a short-sleeved dress. One male musician is beating a conical drum (membranophone) suspended over his right shoulder with a leather strap, and he is wearing a short-sleeved shirt and pants. One male musician is holding a vessel-shaped drum suspended over his left shoulder with a cotton strap and is holding a drumstick in his right hand. One male musician is holding a vessel-shaped drum slung around his neck with a leather strap while holding two drumsticks in each hand. One female figure is sitting on the ground holding a dish, and she is wearing a sleeveless knee-length dress. Two male figures are holding long staffs, and they are wearing knee-length robes. One musician is holding a clay drum and a beater, and the musician is wearing a short-sleeved dress and a soft pointed hat. One female figure is holding a fly swatter and a horn-shaped vessel, and she is wearing a short-sleeved dress with her hair in a top-knot. One figure is holding up a fly swatter in her right hand, and that figure is wearing a short-sleeved dress and a pointed hat. Two masks with horn-shaped vessels on top, and one horn-shaped vessel on the ground. Five soft pointed hats, fly swatter, two horn-shaped vessels, one large soft hat, and the chicken are light red-brown. Clay drum, and beater, outside of drums, limbs, and heads are dark brown. Clothing, mask-like shrines, thorn-shaped vessels, top of drums, and one horn-shaped vessel are light yellow-brown. Top of dish shrine, marks on horn-shaped vessels, on large soft hat, and on vessel drums are indigo. All figures are on a plywood platform covered in thorn chips. Oyo written on base.

Standing wood female figure (ibeji) on oval base. Figure has a long trunk and arms on short stocky legs. Arms are at the sides. Has protruding stomach, breasts, and buttocks. Large head with facial features in relief of large protruding eyes having incised eyelids and eight incised notches on each cheek with three at the forehead. Tall pointed four-sided headdress with knob at top is patterned with incised lines. Recesses filled with indigo dye. Large pierced ears placed far back on the head. Earring of strung horn beads and one jasper. Arm on the right has brass bracelet with spiral incising. Two strings of dark horn beads at waist. Necklace of elongated blue beads with one red jasper bead. Incising at back of head, spine, and stomach. Carved wood piece with dark brown patina and red camwood in areas.

Standing wood male figure (ibeji) on round base. Figure has a long trunk and arms on short stocky legs. Arms are at the sides. Has protruding stomach, nipples, buttocks, and genitalia. Large head with facial features in relief of large protruding eyes having incised eyelids. Arranged on each cheek, there are seven incised notches with three at the forehead. Large pierced ears placed far back on head. Earring of strung white shell(?) beads and one jasper disc. Tall pointed four-sided headdress with knob at top is patterned with incised lines, of which the recesses are filled with indigo. Arm on the right has plain silver bracelet. Two strings of dark horn beads at waist. Necklace of blue glass(?). Incising at back of head, spine, and stomach. Carved wood piece with dark brown patina and red camwood paste in areas.

Egungun costume. One-piece mask and costume; the cloth mask, with a circular frame, is made of black velvet-like material. Metallic, silver scalloped ribbons decorate the sides and back. The front of the mask is made of a cowrie shell embroidered mesh panel, with wide gaps between the rows where the eyes would be. In the centre of the mesh panel is a hanging strand of cowrie shells and painted beads, with a small bell at the end. Strand secured to panel with plant fibre. A small red, stuffed ball is attached to the bottom centre of the panel. Along the forehead of the mask, above the cowrie shells, is a wide curvilinear motif done in sequins and beads. Fabric covered square board is stitched to the top of the mask. It has a central floral motif and short brown fringe along its edges. Heavily beaded panels hang from all sides of the board- three on the front and each side, one along the back. Panels depict curvilinear, geometric and animal motifs in sequins and beads. Back panel has “AYÏBAMA” written across it. All are lined with orange cotton. Bottom of mask has a frilled collar. Collar made of dark green velvet-like material with metallic gold ribbons, red trim and thick white and red fringe. Underneath the collar, attached to the front and back of the mask, are two weighted bags. Extending from the bags are three layers of long lappets. The top layer is covered entirely in sequins and beads. The designs are geometric, animal and curvilinear. The second and third layers are made of velvet-like material and have geometric, linear and curvilinear motifs. All beaded lappets are trimmed with metallic red zigzag ribbons. First layer of velvet-like lappets are trimmed with silver zigzag ribbons, second layer trimmed with gold zigzag ribbons. All lappets are lined with machine-printed cotton that have frog designs across them. Underneath all of the lappets is a plain red cloth, trimmed with a black zigzag ribbon.