Small carved-out coconut cup. There is a small carved design on the pointed end, which extends up over the lip. The bowl's interior has scrape marks.

Container made from a gourd. Small hollowed-out gourd capped with a circular plug; the plug has a pig tusk extending out of the top. Woven plant fibre wraps around the neck of the gourd in a repeating v-style design, alternating between dark and light browns and bordered by bands of dark brown.

Men’s apron ornament. Ornament is made of woven red yarn, with a short waist band and long ties that fasten at back. From waist hang three flaps of approximately 10 cm in length, white cowrie shells attached by plastic thread to the hem. At their bottoms hang long, thick tufts of straight animal hair, ranging in colour from light yellow-brown to dark brown or black.

Carving of a fisherwoman. Painted figure stands on a thick round base, knees slightly bent, arms at sides. On her face is painted an intricate mask with cowrie shell eyes, thin ropes hanging from her orange ears, wrists and torso. A large white, brown and orange bird stands on top, pecking at her brow. Its wings are held close to its body. Artist’s signature painted on front of base.

Neck ornament. Twined plant fibre makes up the thick rope of the necklace, culminating at bottom in a small woven crocodile head with cowrie shells for eyes and an open mouth. Bright pigment colouring in black, red and orange. It is constructed around two curved tusks that emerge from the crocodile's neck and curl down below the mouth.

Carved male figure. Doll (part a) stands on large feet, legs spread, arms slightly akimbo and held away from the body. Legs are painted white, torso black, and face red. A black fuzzy beard surrounds the chin, mouth is open with small inset shell for teeth, eyes are made of the same shell, as is a headband tied around the forehead. A necklace of tubular sections of grass hangs down the chest, and arms have woven plant fibre sleeves. A bag of netting and plant fibre is slung over the left shoulder and adhered to the wood at the handle. A loin cloth of netting with long pieces of grass at back sits around the waist. Part b is a peice of netting similar to that of the loin cloth. Part c is a small feather grouping that attaches by a hole in the doll's head.

Carved female figure. Doll (part a) stands on large feet, legs spread, arms slightly akimbo, large breasts carved at chest. Head is covered in a woven fabric to represent a hat or hair, above protruding ears, shell eyes, and a large open mouth with inset shell teeth. A thick necklace of small white and brown shells is wound several times around the neck. A skirt of grass or bark is attached around the figure’s waist. Painted white. Part b is a ring of short grass, light yellow-brown, woven into a bracelet.

Mai mask. Carving of a face is oblong and narrow, with a pointed head, a ridge running down forehead, and a prominent nose with a curved nostril free-spanning the lower part of the face. Mask is painted in swirls, short rounded lines, and colour blocks in shades of brown and dark yellow, with white lime pigment in the eye and nose area. Short grass surrounds the jaw as a bushy beard. Shells are inset into mud as eyes and at the top of the head, from which sprout fine cassowary feathers. Plant fibre is looped through the top. Interior of mask is concave.

Dance mask. Large conical head is made of woven rattan and wood covered with a layer of painted mud, grey on back, white and light red-brown on the face. A round flap stands up on top of head and a broad protruding skirt flares out at bottom front. Oval ears sit high on head, protruding from each side. A ridge runs down forehead to nose. Nose is long and thin, spanning from mid-face to front of skirt, with an open mouth underneath. Eyes are made of rings of weaving, protruding, with small bunches of feathers placed evenly around the ring. A thick edging of feathers line the sides and front of the face.

Mai mask. Carving of face is long and narrow, with a pointed head, a ridge running from forehead to nose, and a thick jaw area. A thin piece of shaped wood spans area from chin to bottom of mask. Face is painted in swirl and linear patterns in red, white and black. Jaw is covered in shells inset into mud, with layers of feathers and twisted plant fibre along chin and mask bottom. A collection of twine, feathers and grass is tied through a hole at top, creating a loop for hanging. Interior of mask is concave.