Irregularly-shaped diamond breast ornament; made out of plant fibre. Surface is covered in small cowrie shells; horizontal diamond-like opening in centre of ornament, showing fibre beneath. Shells surrounding opening are woven into a star-like pattern; rest of shells are attached in straight lines. Nine egg cowrie shells hang from both sides of the ornament (18 total). Pendant made of two tusks, forming a circle, hangs from a twisted fibre cord at the bottom; loop cord at top of ornament. Back of ornament is undecorated. (Also 1 extra, loose egg cowrie shell with stick attachments.)

Carving of a female figure standing on an oval-like base (part a). She stands with her feet shoulder width apart, hands at her hips; depicted wearing a grass skirt and assorted jewellery made of twisted fibre and circular shells(?). Her face has linear and curvilinear designs painted across it in white; eyes are inset cowrie shells. Hair is black, with a white band painted underneath. Large hornbill sitting on top of woman’s head; neck is extended with head tilted back. Head and neck of hornbill are yellow, rest of body is black; eyes are inset cowrie shells. A crocodile, balanced on its tail, supports the back of the female figure; painted black. Two snakes stretch from her shoulders and have their heads resting against the base; done in black with white and orange stripes. All animals have intricately carved features; hornbill has additional curvilinear designs. Top of base is a light orange; sides have a channel carved into them, with ovals carved in relief throughout. Donor tag attached to snake on right side of base. (Left wing has broken off hornbill, part b.)

Wood mask depicting a bird woman. Face is heart-shaped with prominent brow and cheeks; sharp nose bridge divides face. Eyes protrude outward at an angle and are made of three tiers. Top of nose bridge is coloured with orange pigment; bottom half is covered in dark clay with small inset cowrie shells along the edges. Larger cowrie shells decorate centre of bridge. Below clay, crooked beak extends downward, covering chin. Same clay and cowrie shell design along bottom edges of mask; top edge is coloured with orange pigment. Mask is surrounded by an oval-shaped frame, wrapped in plant fibre; frame and mask are attached with rounded triangles, made of identical material. Woven into the frame are curved feathers; feathers are a mix of black and shades of brown. Mask back is flat.

Dagger with a bone blade and packed mud face on top; bone is concave on front and convex on back. Face is made with black mud and has large rounded ears, a curved nose and open pouting mouth; mouth is outlined with red pigment(?). Eyes are inset cowrie shells; short, pointed bones stick out of nostrils with an additional curved bone protruding from left side of nose. Face is covered with small inset cowrie shells, with strokes and spots of white pigment throughout. Long cassowary feathers attached to top of head; small amount of grey fibre surrounds mouth.

Narrow, oval-shaped plaque-like mask depicting two faces and bird; made of wood and coloured with orange pigment and dark brown stain. Face on top of mask is small and carved in relief. Face is oval-shaped, has a long thin nose, pronounced pouting lips and wide chin; long ears on either side of head. Depicted wearing a headdress. Beneath, bird is carved on its belly with the beak just below the chin of the face; wings are spread, touching either side of the plaque. Tail extends down between the eyebrows of the large face on the base of the mask. Face is thin and tapers to a rounded chin; face not carved in relief, only facial features. It has wide eyes, a long thin nose with large nostrils and bared teeth. Long thin ears on either side of head. All figures have cowrie shell eyes. Negative space between the figures and sides of the mask are filled with circular and geometric motifs. Sides of mask have a channel carved into them, with ovals carved in relief throughout. Plant fibre looped tie at top, on back of mask; mask back is concave.

Mai mask consisting of a long and narrow face. Mask is made of wood and is covered in small white shells inset in dark brown-black mud. Area around eyes and nose is plain wood and coloured dark orange. Eyes are made of inset cowrie shells, highlighted with black paint. Sharp nose bridge runs through centre of face. Nose has orange nostrils with black highlights, before extending into a snake that protrudes past the chin; raised design elements on snake's face. Round shells, with swirls in their centres, inset in the centre of the forehead and below the nose, on either side. Plant fibre cord runs around bottom edge of mask, with twisted fibre strands attached, imitating a beard. Additional fuzzy fibre on top of head, imitating hair; inset cowrie shells border bottom of hair. Top half of mask back is concave; bottom half is flat. (Hanging hardware on back.)

Woven breast ornament shaped like an inverted triangle with a naturally coloured, braided cord extending from the top; rest of ornament is coloured with orange pigment. Eight boar tusks extend from either side of the ornament; first two are pointed up, rest are pointed down. Additional boar tusks are threaded through a loop in the front centre of the ornament, pointed down. Woven protrusions extend from either side of the ornament, below the fit set of tusks; protrusions are thin rectangles with rounded ends. An open oval-shaped protrusion is woven underneath the central boar tusks. Above the central boar tusks are two cowrie shells, attached horizontally; a line of vertical cowrie shells extends from below the woven oval to the bottom of the ornament. Loop attached to bottom edge; back is undecorated.

Thin rectangular shield consisting of three rounded wooden boards bound together with plant fibre ties; carved out handle on back centre. Entire surface is decorated with raised carved designs, coloured in black. Front of shield has rows of concentric circles and triangles divided by bands of zigzags and triangles. Back of shield has an assortment of linear, geometric and dot motifs.

Large three-headed bark cloth dance mask. Central head extends from dome-shaped headpiece. Identical smaller heads jut out from either side of its neck. They all have large semi-circular foreheads, wide round eyes, long straight faces, and thin protruding lips. Mouths are open and have large curved circles attached underneath. Entire mask surface is painted white with stylized triangular and circular motifs done overtop in black and red. Black rectangular panels painted across backs of heads and across headpiece. Panels are filled with triangular, linear and floral motifs. Mask frame made out of bamboo rods, bent and tied together.

Mushroom-shaped, bark cloth pubic cover. Consists of a bamboo cylinder, wrapped in bark cloth and secured with plant fibre, and circular head. Cylinder extends from back of cover. Structure of head formed with an inner strip of bamboo. Front is painted white. Cylinder is visible from front, in centre, and painted red, with a matching dotted line bordering it.