Thin sheet metal in the shape of a bivalve, hinged with a fold. Convex surfaces have many raised bumps. Small holes for suspension pass through both sides of the hinge. Faint textile impressions remain on one side.

Thin sheet metal in the shape of a bivalve, hinged with a fold. Convex surfaces have many raised bumps. Small holes for suspension pass through both sides of the hinge. There is one tiny pellet inside. Clear imprints of two plied cords remain imprinted on the surface.

A short slender shaft of metal, now somewhat bent with a flaring metal head placed about .5 cm from one end. Both ends are pointed and the shaft appears to have an open seam along its length.

Approximately two-thirds of a shallow red clay bowl with a white slip. Salt residue marks the entire sherd.

Approximately half of a shallow red clay bowl; base is complete and has a ring of raised circles around the inside creating a flower-like design. Interior of bowl has a white slip that runs over the brim and around the edge of the bottom side.

The white textile has a brown brocade pattern and is composed of three full loom widths and a part of a fourth. A decorative figure eight stitch in two alternating colours joins the loom widths. Each panel alternates areas of lighter and darker supplementary wefts. The pattern of nested diamonds with straight and serrated edges entirely covers the cloth in rows. The entire fabric is cut in two, transverse to the warp direction, and crudely sewn together, matching up the designs. There are no warp selvedges. S-spun-warp and weft of ground cloth. S and z spun supplementary weft.

A thick red candle with relief decoration in horizontal bands. Textures are impressed, then highlighted by addition of glittery gold, silver, blue and green paint, green foil and sequins. Patterns include floral, geometric and figurative (Llamas and Lambayeque style figures).

A fully modelled ceramic bull of light orange clay, crudely painted white with details in brown paint and green slip. Details of harness and saddle are flat while flowers, tail, tongue etc., are modelled additions. The bull is hollow with a small strap handle in front of the vessel mouth on the animal's back. The loops of fat at the front of the neck, which are part of the ritual cutting and featured prominently.

A fully modeled ceramic church with a domed bell tower and a peaked roof surmounted by a cross. Loosely painted in light and dark brown with details in dark orange and brown. Details of clock and bells are modeled additions.

A very large ceramic church of orange-fired clay, crudely painted in off-white with details in two shades of brown. The single tower with dome and bell is surmounted by a cross. Modelled additions are used for the clock and architectural statues. Five modelled humans appear in three doorways. Some chipping and cracking around the base.