Retablo altar. The outside of the box is light yellow with large floral motifs on the sides and on the inside and outside of the doors. Inside are two scenes with small plaster figures vibrantly painted. At top is a nativity scene showing a large baby laying in a manger surrounded by the parents and people praying, and a man playing a small guitar. Donkeys and sheep surround the manger, and cherubim protrude from the side walls. The rear panel of the scene is painted as a dark blue sky with a large gold star at centre. Below this scene is a smaller one showing people in traditional clothing attending an outdoor church service, with figures playing musical instruments. Cattle mingle in the crowd. A large cactus sits to one side, and there is a small building in a back corner. The side walls are white and decorated with multicoloured dots. The outer structure is a box made of wood with a pediment above two doors that open on leather hinges, contained by thread that passes through metal rings to keep them from opening too far.

Wooden needles. Two needles are attached by a knotted string of twisted, light tan yarn passing through their eye holes. Needles are long and thin, thicker throught the top and midpoint, then narrowing to a sharp point at bottom.

Small metal ornament. Bell shaped ornament is made of a thin piece of hammered copper, oxidized to a dark orange colour, bent in half and shaped identically on both sides. At bottom, object has a somewhat bulbous shape, convex on both front and back, with a narrow neck that flares toward a flat top which is the point at which the two sides are attached. A small hole sits at top centre.

Small metal ornament. Bottle shaped ornament is made of a thin piece of hammered silver, oxidized to a dark grey colour, bent in half and shaped identically on both sides. Body of object is round and somewhat bulbous, convex on both front and back, with a long, narrow neck the top of which is the join between the two sides.

Bronze tumi (knife) with heavy green corrosion. Handle is long, slightly wider at distal end and narrowing toward proximal. Head of knife is a half circle, with rounded blade facing away from the handle. No visible decoration.

Wood spindle. Shaft is needle shaped, long and thin, tapering to a point at each end. Centre of spindle is painted red-brown and grey with four sets of encircling black lines. Two of the sets include white lines interspersed with the black. The spindle’s tips darken in colour to brown.

Wood spindle and whorl. Shaft is long and thin, tapering to a point at each end. A cylindrical clay whorl sits just off mid-point, painted black with white flower motifs separated by lines of white and red-brown. The wood on either side of the whorl is painted with encircling lines of red-brown, dark brown, and white. The spindle’s tips are unpainted.

Wood spindle and whorl. Shaft is long and thin, tapering to a point at each end. A cylindrical clay whorl sits at mid-point, painted black and carved with lines and dots which are filled with white, yellow, brown and rust coloured paint. The wood on either side of the whorl is painted red-brown, dark brown, and yellow. The spindle’s tips are unpainted.

Quipu, or string abacus. Five thin strands of twisted wool fibre are tied to a loop of similar construction. The cords each carry a series of knots, used as a counting or record keeping system. One holds a separate strand, tied near the top. Strands are coloured blue-grey, blue and tan, a mix of brown and tan, brown, and two are completely tan. The loop is light tan and grey-blue.

Woven textile fragment. Three thick lines run horizontally across the textile, coloured dark red, red, and dark blue. To the top on a light tan background sit a series of four animal(?) faces, similar but for colour, with square protrusions at top (horns?), thin rectangles to each side at the midpoint, and square eyes and mouth. Each face is of a single colour, either red, pink, or dark yellow, with eyes and mouths alternating between pink and blue. The faces are interspersed by small shapes in similar colours. To the bottom of the textile are the remnants of rectangular panels with red or pink background, holding shapes and figures in blue, dark yellow, and light tan.