Woven textile. Object has a brown base colour in a tight weave, topped by large geometric designs placed in diagonal lines across the surface. The stitches of the design are large, incorporating small areas of the base colour to create a dotted look. Designs are done in light cream and dark pink colours.

Peruvian pot. Round bottomed clay bowl is circular, with a flaring rim. Interior is painted a brown-red, while exterior shows a painted figure with grey face, white beard and eyes, red mouth, wearing a wide headdress in a dark yellow. The body is long and tubular, with linear designs in grey and dark yellow that incorporate dots and spikes. This flows across the bottom of the pot, up the side, and culminates in a rounded tail with a small, monochromatic, inverted face.

Peruvian pot. Black clay jug is round and bulbous, with a rounded bottom, and a short neck leading to a slightly overhanging lip. A wide handle curves out from just below the rim and meets the shoulder below. Around the body of the pot are printed in relief several rows of a repeating wave-like design, many sharp, some blending into the surface of the pot.

Peruvian pot. Orange clay jug takes the shape of a kneeling man, with a large protruding nose in a wide face, with a pointed chin and prominent teeth. His hands grip a tool or instrument held on an angle against his torso. His large hat is also the neck of a jar. At back the figure leans against a textured stool or rock. The jar is painted a light orange.

Peruvian pot. Bottle is made from a dark grey clay, with a burnished surface. Two nearly identical bottles, round and bulbous at bottom and with long tubular necks, make up the vessel, and are connected at body and by a corrugated bridge extending between the necks. A parrot is perched on the top of one bottle, with a large beak, protruding eyes, and wings tucked close to its body.

Peruvian pot. Black clay bottle is round and bulbous, with a tall neck leading to a slightly flared lip. A monkey clings to the neck and shoulder of the pot by his feet and tail, serving as a handle. Around the body of the pot are printed in relief two rows of feline-like figures, with triangular heads, pointed ears, round eyes and open mouths showing prominent teeth, with arched backs and curved tails. These crouch on a background of small raised dots. The pot is partially burnished.

Peruvian pot. Bottle takes the shape of a woman sitting cross-legged on a squared pedestal base. She wears a headdress that wraps her head at back from forehead to chin, with squares protuberances on the top corners and flaps at the bottom. A band across her brow holds two round flower motifs. A large collar surrounds her neck, and her hand rest on her knees. The bottle’s tubular handle emerges from the back of the figure’s head, arcing down to connect with the pedestal she sits on. A spout emerges from its top. Handle is painted a rust-red, as is the woman’s face, collar, and outlines along the edges of the base. The rest of the object is a mottled orange-brown.

Light brown-yellow clay bottle, mottled with orange. Pot takes the shape of a man with one leg kneeling, the other bent and supporting his elbow. His hands grip a tool or instrument held on an angle against his torso. Face has a protruding nose, smiling mouth, and rounded chin. Figure wears a cloak with hood, his head topped by a feline-like figure whose head and shoulders extend over the man’s forehead. At back, the bottle’s tubular handle arcs between the head and shoulder, with a spout emerging from the top. Handle is brown-red in colour.

Wool and plant fibre doll. A small boat is constructed of unbleached fabric layered over a stiff framework, likely plant fibre or husk. Fine brown netting is wrapped around the ends of the boat and spans the length of one side between them. Three woolen figures sit inside the structure, each with a large head covered at back by a woven hood, red stitching for facial features, and arms constructed of plant fibre wrapped with yarn. Each wears a striped woven sweater and a burlap skirt.

Wool scarf. Garment is of medium length and relatively wide, increasing in width slightly toward one end. Long fringe sits at both ends. Weave is tight and unvarying, with horizontal stripes in shades of brown interspersed with two thick lines of red, pink and black. The stripes continue into the fringe.