Clay pot. Vessel has a small, flat, round base, from which the body flares to a bulbous belly and then inclines to a tall, narrower neck with slightly flared rim. Exterior bottom of body is painted dark orange, while above the bowl is a light yellow with fine linear designs in black, representing the Shipibo concept of the interconnectivity of the universe. Occasional shapes in orange appear among the designs. The interior of the bowl is unpainted.

Round clay bowl. Vessel has a small round base, from which the body flares widely toward the midpoint. Bowl inclines from midpoint to mouth. Exterior below midpoint is painted in two shades of orange, glazed. Above, bowl is painted a light yellow with a fine, lightly incised linear design representing the Shipibo concept of the interconnectivity of the universe. Some lines are emphasized with dark brown paint, and occasional orange blocks of colour appear among the designs. The interior of the bowl is raw, painted sparsely in thick white and orange lines similar to those on the exterior.

Large clay pot. Vessel has a small round base, slightly concave, from which the body flares widely to a bulbous belly, then inclining to a tall, sloped neck with slightly flared rim. Bottom of body is unpainted, while midpoint is painted in blocks of light yellow and dark brown. Shoulder and neck hold linear designs in dark brown that represent the Shipibo concept of the interconnectivity of the universe. The rim and interior are painted dark brown.

Small spindle whorl. The long, thin wooden shaft is pointed at both ends, thicker at centre, where it pierces a clay bead. Encircling lines in brown, black and white paint decorate the shaft on both sides of the bead. The bead is long, round, and narrow, decorated with incised lines in geometric shaped, and filled with paint in white and orange.

Small spindle and whorl. The long, thin wooden shaft is pointed at both ends, thicker at centre, where it pierces a clay bead. Small sections of black paint, very worn, decorate the shaft on both sides of the bead. The bead is wide and bulbous pointed at midpoint, with a line of dripping black paint above the midpoint, and a single encircling line of red brown below.

Small spindle and whorl. The long, thin wooden shaft is pointed at both ends, thicker at centre, where it pierces a clay bead. Encircling stripes of white, brown, and red brown paint decorate the shaft on both sides of the bead. The bead is bulbous, painted black, with three groups of concentric circles carved into the clay and painted white.

Large bowl with a bulging body. The wide midpoint recedes toward a narrow mouth at top and small base at bottom. The lower half of the bowl is painted orange and glazed, with no decoration. Around the midpoint is a strip of brown with a light coloured broken zigzag motif. Above this is painted a base colour of light brownish-grey, covered with linear designs in dark brown and orange. The interior is undecorated and unglazed.

Chancay figure pot. Body of pot is oblong, with a rounded base. Slight protrusions at front are embellished with paint as legs and arms, while small toes protrude near the base, and hands emerge from the chest holding a cup. The neck of the pot is tall and narrow and incorporates the figure’s face, with a pointed chin, protruding nose and slightly bulging eyes. Designs are painted in dark brown along chin, cheeks, and brows. Large ears with round earrings emerge from the sides, and above them are several similar, evenly spaced protuberances just under the rim.

Modified hemispherical greyware bowl decorated on the exterior sides with vertical serpentine motifs in alternating orange-red and cream-coloured paints. The bowl has been completely broken and reconstructed, and there are some small pieces missing.

Modified hemispherical greyware bowl with a beveled lip and broad line cross-hatched incised decoration on the exterior sides. There is a thin crack on one side, beginning at the lip and extending down the side.